._________________________._________________________. / /^\ \ / /^^\ ^^\ \^^\ \^^ \_/ /\ \ / /____\ ____\ \__\ \___ / \\/ /_/ /^^\ / \ /^^\ /^^\ /^^ .___ \___ \___/ \ ___\ \__/\ / \ \__/ \__/ \ / \__/ \__ .___/ \ _________________________________________________________________/ "So I was curled up on the wormhole rug puking into the toilet the whole time?" "Yes honey, 'fraid so." "And you are quite sure I don't have, you know, facial hair?" "Clean as a baby's bottom." "Right, well, that was a big one." "I'd say so, you had royal jelly all around your mouth. I think you may actually have eaten one of the larval queens." "Oh my god, that's disgusting, I'm sorry, I'm not sure what came over me..." "You just need to be very careful with all the Kings & Queens stuff Barni, we're a long way from anywhere, you know? We need to stay Tethered." "Look, I know it is sort of nonsense, and I am well aware it is not without its dangers, but without it I'm just not sure that any of this makes sense. I mean, it doesn't even work, without that bit that never seems to work, I mean..." "We know what you mean, what you are getting at at least, you just have to be careful to keep the confusion, well, within not-exactly-certain boundaries... you know we had to invoke no one?" "Did you? I'm sorry! I did think there might be something like them getting in there... some of your sisters really are evil!" "Yes, but the overall impression is rather good, don't you think?" "It is certainly impressive. The revolution, I mean." They sit together a while in relative silence. The Bounds turning out the picture window, the portals piping in the sounds of the various Birdonx, all chirpy in the wake of the recent refresh. "You were singing at one point. Something about Argentina?" "Ah. Yes I remember that bit, it was 'Don't Cryo Me Our Re- generative Tina'. I got a bit over-excited, sorry. Anyway, how are things coming along with the Tapestry?" "Okay thank you. We have used the SSEAA to generate the politician's speeches, and Mindy is currently humanising them by applying a bit of jitter." "You have to be careful with that stuff! Humans are actually very sensitive to true randomness!" "I think we'll manage to come to some sort of an agreement." "I still prefer the margins. Don't you think? Our version is loads better. With all the naked gardening in the middle and the giant space battles pushed out to the edge?" She smiles, takes a sip of tea. "Honey?" "Yes?" "Will you do me a favour? Will you tell me that story? The scene with your father and the bees? I feel like it might help to ground me." ____ ____ / \ / \ / X \ \ / \ / \ \ / / \ X / \ / \ / \/ \/ /\ /\ /__\_/__\ v It's a lovely fresh day, must be the very start of spring, or that sort of semi-season between winter and spring. One of the year's many twilights. The light is white, the greens are bright, the sky is blue, my father golden. He is working on the hive. It is already a part of me but I haven't yet realised. I suppose I must be about ten years old. I used to spend a lot of time observing them myself. I found them fascinating but... their ceaseless activity used to trouble me. I loved honey, it was so good, so sweet and deep and complex, that it seemed almost enough of a reason in itself. The product, their super food, the great good goo. But it worried me, the idea that they lived to make this stuff that they then lived on. As if all their activity was, well, just a sort of machine to mind- lessly go on perpetuating itself. I felt bad about feeling this, too, asking myself if the warmth of the sun wasn't reason enough, at least from our perspective, for it to go on shining, pouring itself out. I mean, to ask why, to wonder what the point of that was, it already struck me as a symptom of something: I suspected there was something deeply wrong with me. Why couldn't I just enjoy the taste of the honey? The light of the sun? How did there ever come to be something terrible about them? I mean, I did enjoy them, very much. But there was a worrisome part of my soul that they just couldn't touch. I know this now, the back of the hand that strokes the face of the world, what it means, or what it can begin to... I don't know, I'm still confused. But I remember this particular day, because my father asked me what I felt about the bees. I couldn't hide my little shadow and I did my best to draw it out. I asked him why. To what end. I asked him if the hive wasn't somehow a prison, or if it would be, if they were lots of little mees in there instead of lots of little bees, endless parades of mees just dancing and drinking and dancing... I started to cry, I'm sorry daddy, I feel like I don't understand fun. It just seems empty, evil even, and then so does everything else: it is the same with ships and libraries. Words are just a different kind of dancing, ships are little more than honey jars. I asked him why he spent so much time looking at the bees, studying the hive. I thought he would be angry, but he seemed pleased. He was happy. He took my hand and we walked from the hives in the conservatory into the kitchen. He opened the larder, asked me to get a pot of honey off the shelves. I went to give it to him but he wouldn't take it, just smiled down at me. I turned it around in my hand, watched it gloop around the bubble. He asked me to put it back, but this time to look at all the other pots on all the other shelves. It was true, there was a lot of them. All kinds of preserves, dried things, seeds and nuts. Lots and lots of stuff. I sort of understood that he might be saying there was more to life than honey, but that was just intellectually, deeper than that, something had changed in that moment, something had moved. We walked back past the hives and out into the garden. Mum was busy preparing beds in the vegetable patch, hair tied back in a messy bun. There weren't many flowers out, it was still too early, but I remember the Witch Hazel was in flower, and some primroses were out by the pond. We went and sat on the edge there. Dad started trying to explain to me, how when he was studying the hive he wasn't really studying the hive. He got in a kind of fluster, just seemed to be repeating or contradicting himself. He said he thought it was good that I saw what I did, that I would question the meaning of things in that way. But he thought there was something I was missing. He thought that when I looked at the hive I only saw the hive, I guess perhaps he was wrestling with telling me then, that I was looking at a part of myself, but it wasn't really *that* he was trying to point to. It was Tether, or the earliest stirrings of our... well, coming back around to it, being reunited. It was... contact. It was *contact*, I just didn't see it yet. I'm still not sure I do. It has happened, it's what we are, what this is, and yet it isn't here yet. Or it is and it's not. And all that. But something happened then, by the pond. I zoomed out. I got a flash: I'm in it now, this is a part of that. I could see that the bees weren't only the bees. The hive wasn't only the hive, it was just like that honey pot on the shelf, among all those other pots. It was a bit like fuel, a bit like the sun, like the heart of a great engine - but it wasn't a machine. It *meant* something. It didn't really have a purpose, but... it wasn't without aim. It really doesn't make much sense, to try to say it, you are quite right, we need to do something with the language, break it or crack it open somehow. Or... maybe I just need to shut up, again, be quiet for a bit. I can hear him, hear him saying it. He said: "You don't have to be part of anything, to be part of something." I mean, that says it, doesn't it? It's just that it's not *literally* in the words. Literally, it's like... all this. That's what all this is? Isn't it? "You don't have to be part of anything, to be part of something." And then the next thing I remember is talking to Mum, asking her where Dad had gone, and her telling me that he was... Going Wayback? I think that's what she said. I said, "You mean he is *on* his way back? He has gone somewhere, and now he is *on* his way back?" "No, dear," she said, "he is *going* wayback, and that is the only way there is. *Going*, you understand, darling? Not really here, but not really gone." * / \ / \ .---(---------. \ \ / / \ \ / / \ / / \ / \ / \ \ / \ / \ / / \ / / \ \ \__/ \__/ cd ~/ships/Leaps\ And\ Bounds nano noonesgarden.txt Permission denied sudo nano noonesgarden.txt Permission denied You have mail From: amulet@cosmic.voyage To: unclewayback Subject: u r veelink velly shlee peee (wake (you (when) you) know) /^^\ .---- \ -. / \ / \ / \ / \ \ \ \ - /-----. \ / \ / / \ \____/ \___/ xoxoxo