[HN Gopher] Werner Herzog: 'Film-making is always some sort of r...
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       Werner Herzog: 'Film-making is always some sort of risk-taking'
        
       Author : joubert
       Score  : 72 points
       Date   : 2020-06-27 12:24 UTC (1 days ago)
        
 (HTM) web link (www.ft.com)
 (TXT) w3m dump (www.ft.com)
        
       | nkurz wrote:
       | Unblocked: http://archive.is/tiOAw
        
         | qilo wrote:
         | It looks like archive.is finally resolves correctly via
         | Cloudflare DNS servers.
        
           | Reedx wrote:
           | Wow, finally indeed. That's been a pain for the longest time.
           | What was the holdup anyway?
        
       | mojuba wrote:
       | One of the greatest documentalists of our time. A favorite quote
       | that has a double meaning in this context:
       | 
       |  _Storyboards are the instruments of the cowards_
       | 
       | (For the record, I don't believe the above is true for iOS
       | development :)
        
         | aphextron wrote:
         | Not just documentaries, but films too. Fitzcarraldo, Cobra
         | Verde, and Aguirre Wrath of God are some of the best films ever
         | made.
        
       | IMAYousaf wrote:
       | My single favorite scene from any Herzog related film:
       | 
       | https://www.youtube.com/watch?v=zWH_9VRWn8Y
       | 
       | Herzog inquires and videos insane penguins in Antarctica as they
       | march on towards their doom.
        
       | [deleted]
        
       | atlasunshrugged wrote:
       | There was also a very good interview done with him (~1.5hrs) a
       | while back https://www.youtube.com/watch?v=Eua5iPUKw6Y
        
         | kevinskii wrote:
         | Unfortunately this was the interview that diminished my opinion
         | of him somewhat. He was obnoxiously self-absorbed and self-
         | congratulatory throughout.
        
           | nowandlater wrote:
           | I see what you mean, but wow, his description of Klaus Kinski
           | frothing at the mouth while shattering a wine glass by
           | screaming at it (whether true or not) definitely makes me
           | want to keep watching -- Herzog is unapologetically over the
           | top, but he sure knows how to tell a story.
        
             | at_a_remove wrote:
             | I mean, if there was someone who _could_ scream at a wine
             | glass loud enough to make it shatter, Klaus Kinksi would be
             | that person. He was, by all accounts, only of utility to
             | humanity when chained to a stage. Even the director who
             | made  "Please Kill Mr. Kinski" after working with him said
             | that he was great in front of a camera.
        
           | fossuser wrote:
           | My read was similar, I also couldn't get through Lo and
           | Behold which set off bullshit alarms [0] and just gave me the
           | impression of confidence being used in the place of actual
           | explanation.
           | 
           | It feels like an emperor has no clothes situation. For some
           | reason people think it signals high status or intellectualism
           | to like Herzog so they say they do.
           | 
           | I haven't watched all of his movies so this may be unfairly
           | harsh, but that was my initial impression.
           | 
           | Portal podcast also came across that way to me. First
           | interview with Thiel was interesting, but I stopped somewhere
           | after the next couple.
           | 
           | Too much "the media doesn't want us to talk about this" and
           | "the Clintons are a globalist conspiracy against the people".
           | 
           | If you have real arguments then make them.
           | 
           | Don't just confidently state things as fact without backing
           | them up.
           | 
           | Thankfully when Sam Harris was on he at least pushed back on
           | some of the bullshit.
           | 
           | [0]: https://youtu.be/Bqx6li5dbEY
        
       | hawkice wrote:
       | The paywall is stopping me from learning Herzog appreciates the
       | Fast and Furious franchise as much as I do.
        
       | op03 wrote:
       | Running joke with the boss - we will do it only if you eat your
       | shoe - https://www.hollywoodreporter.com/news/1979-werner-herzog-
       | at...
        
         | brudgers wrote:
         | On YouTube https://youtu.be/RNNGzMK5e4c
        
       | paulcole wrote:
       | This guy dragged a boat over a freaking mountain so he knows what
       | he's talking about.
        
         | andi999 wrote:
         | While I applaude and admire his effort, I am somewhat concerned
         | with the result. Can anybody elaborate why his movies are
         | considered great? (This is not a rhetorical question, I am
         | curious what other see that I do not.)
        
           | mitchbob wrote:
           | Here's Roger Ebert on Herzog's Nosferatu, one of my
           | favorites: https://www.rogerebert.com/reviews/great-movie-
           | nosferatu-the... . For me, the quality of Herzog's films is
           | wildly variable, but in his best films, he's a poet of human
           | extremes and vulnerabilities, as in his documentary The Great
           | Ecstasy of the Woodcarver Steiner, about a champion ski
           | jumper https://slate.com/culture/2018/02/the-genius-of-
           | werner-herzo... and The Enigma of Kaspar Hauser
           | https://www.rogerebert.com/reviews/the-enigma-of-kaspar-
           | haus...
        
           | spiderjerusalem wrote:
           | He said somewhere that he wants to portray the 'madness in
           | the hearts of men' and I think that is a very good guiding
           | principle to view his oeuvre from.
        
           | saiya-jin wrote:
           | Must say, his portrait of Rheinhold Messner's and Hans
           | Kammerlander's double summit of both Gasherburms in one go is
           | on another level compared to basically any mountain
           | documentaries of that era. Name is Dark glow of the
           | mountains, german speaking but I found some english
           | subtitles.
           | 
           | You have dark aspects of protagonists revealed, questions
           | about what to do with belongings if they don't come back and
           | so on. Its not the style that was common at that time. I
           | mean, it gives you perspective on extreme mountaineering and
           | people doing it like few documents do, even in these days.
           | 
           | Whether you like Messner's personality or not, its a damn
           | fine documentary and shows why these guys are not mere
           | athletes like world champions/olympic winners.
        
           | beloch wrote:
           | I love many of Werner's movies (and dislike a couple). He
           | tends to root things in historical fact without going _too_
           | far afield. His protagonists are usually realistically flawed
           | and frequently outright unhinged (e.g. most of Kinski 's
           | roles). Many of his films have a uniquely lyrical character,
           | and his taste in music usually coincides with my own. (If you
           | hate the music a director chooses it often makes it hard to
           | like his films). His documentaries (e.g. "Little Dieter Needs
           | to Fly" or "Grizzly Man") feature unique and fascinating
           | people, and Herzog digs deep into their stories.
           | 
           | It's okay to hate good films though. A big part of
           | appreciating culture is learning to recognize when something
           | is good, but not for you. e.g. Many go gaga for Antonioni's
           | "L'Avventura". It may have done some pretty revolutionary
           | things for film, but I hate it with a passion. I can't stand
           | it's plot structure and loathe every one of it's characters.
           | I recognize that it is a good film, but also that it's not
           | for me.
           | 
           | Be careful to say, "I didn't like that film" instead of "That
           | is a bad film because I didn't like it".
        
           | leephillips wrote:
           | They're considered great by the people who consider them
           | great. Personally, I think he's insufferable. He was granted
           | exclusive access to make a documentary about the Chauvet
           | caves, and made a film mostly about himself. What a waste.
        
         | evan_ wrote:
         | _He_ didn 't, he hired indigenous people to do it.
        
         | pimeys wrote:
         | And worked with Kinski. Lucky he's still alive!
         | 
         | brilliant movies though...
        
           | noblethrasher wrote:
           | It's Kinski that is lucky to have survived the filming:
           | 
           | "In _My Best Fiend_ , Herzog says that one of the native
           | chiefs offered in all seriousness to kill Kinski for him, but
           | that he declined because he needed the actor to complete
           | filming"[1]
           | 
           | [1] https://en.wikipedia.org/wiki/Fitzcarraldo
        
             | staticautomatic wrote:
             | Yeah the movie made it very blurry as to whether Herzog
             | liked, respected, tolerated, or used Kinski. Maybe all
             | those things.
        
         | weinzierl wrote:
         | Not to forget when he was shot _" with an insignificant
         | bullet"_ in the middle of a BBC interview in LA[1].
         | 
         | Also, if I had the choice between dragging a 320 ton steamship
         | over a mountain in the Amazon rainforest and working with a gun
         | carrying Klaus Kinski, I'd certainly chose the former. No
         | wonder nothing can frighten Werner Herzog, I guess.
         | 
         | [1] https://www.youtube.com/watch?v=HrRNM9cMBDk
        
         | js2 wrote:
         | _Fitzcarraldo_ for anyone who doesn 't know the reference.
        
         | [deleted]
        
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