[HN Gopher] Werner Herzog: 'Film-making is always some sort of r... ___________________________________________________________________ Werner Herzog: 'Film-making is always some sort of risk-taking' Author : joubert Score : 72 points Date : 2020-06-27 12:24 UTC (1 days ago) (HTM) web link (www.ft.com) (TXT) w3m dump (www.ft.com) | nkurz wrote: | Unblocked: http://archive.is/tiOAw | qilo wrote: | It looks like archive.is finally resolves correctly via | Cloudflare DNS servers. | Reedx wrote: | Wow, finally indeed. That's been a pain for the longest time. | What was the holdup anyway? | mojuba wrote: | One of the greatest documentalists of our time. A favorite quote | that has a double meaning in this context: | | _Storyboards are the instruments of the cowards_ | | (For the record, I don't believe the above is true for iOS | development :) | aphextron wrote: | Not just documentaries, but films too. Fitzcarraldo, Cobra | Verde, and Aguirre Wrath of God are some of the best films ever | made. | IMAYousaf wrote: | My single favorite scene from any Herzog related film: | | https://www.youtube.com/watch?v=zWH_9VRWn8Y | | Herzog inquires and videos insane penguins in Antarctica as they | march on towards their doom. | [deleted] | atlasunshrugged wrote: | There was also a very good interview done with him (~1.5hrs) a | while back https://www.youtube.com/watch?v=Eua5iPUKw6Y | kevinskii wrote: | Unfortunately this was the interview that diminished my opinion | of him somewhat. He was obnoxiously self-absorbed and self- | congratulatory throughout. | nowandlater wrote: | I see what you mean, but wow, his description of Klaus Kinski | frothing at the mouth while shattering a wine glass by | screaming at it (whether true or not) definitely makes me | want to keep watching -- Herzog is unapologetically over the | top, but he sure knows how to tell a story. | at_a_remove wrote: | I mean, if there was someone who _could_ scream at a wine | glass loud enough to make it shatter, Klaus Kinksi would be | that person. He was, by all accounts, only of utility to | humanity when chained to a stage. Even the director who | made "Please Kill Mr. Kinski" after working with him said | that he was great in front of a camera. | fossuser wrote: | My read was similar, I also couldn't get through Lo and | Behold which set off bullshit alarms [0] and just gave me the | impression of confidence being used in the place of actual | explanation. | | It feels like an emperor has no clothes situation. For some | reason people think it signals high status or intellectualism | to like Herzog so they say they do. | | I haven't watched all of his movies so this may be unfairly | harsh, but that was my initial impression. | | Portal podcast also came across that way to me. First | interview with Thiel was interesting, but I stopped somewhere | after the next couple. | | Too much "the media doesn't want us to talk about this" and | "the Clintons are a globalist conspiracy against the people". | | If you have real arguments then make them. | | Don't just confidently state things as fact without backing | them up. | | Thankfully when Sam Harris was on he at least pushed back on | some of the bullshit. | | [0]: https://youtu.be/Bqx6li5dbEY | hawkice wrote: | The paywall is stopping me from learning Herzog appreciates the | Fast and Furious franchise as much as I do. | op03 wrote: | Running joke with the boss - we will do it only if you eat your | shoe - https://www.hollywoodreporter.com/news/1979-werner-herzog- | at... | brudgers wrote: | On YouTube https://youtu.be/RNNGzMK5e4c | paulcole wrote: | This guy dragged a boat over a freaking mountain so he knows what | he's talking about. | andi999 wrote: | While I applaude and admire his effort, I am somewhat concerned | with the result. Can anybody elaborate why his movies are | considered great? (This is not a rhetorical question, I am | curious what other see that I do not.) | mitchbob wrote: | Here's Roger Ebert on Herzog's Nosferatu, one of my | favorites: https://www.rogerebert.com/reviews/great-movie- | nosferatu-the... . For me, the quality of Herzog's films is | wildly variable, but in his best films, he's a poet of human | extremes and vulnerabilities, as in his documentary The Great | Ecstasy of the Woodcarver Steiner, about a champion ski | jumper https://slate.com/culture/2018/02/the-genius-of- | werner-herzo... and The Enigma of Kaspar Hauser | https://www.rogerebert.com/reviews/the-enigma-of-kaspar- | haus... | spiderjerusalem wrote: | He said somewhere that he wants to portray the 'madness in | the hearts of men' and I think that is a very good guiding | principle to view his oeuvre from. | saiya-jin wrote: | Must say, his portrait of Rheinhold Messner's and Hans | Kammerlander's double summit of both Gasherburms in one go is | on another level compared to basically any mountain | documentaries of that era. Name is Dark glow of the | mountains, german speaking but I found some english | subtitles. | | You have dark aspects of protagonists revealed, questions | about what to do with belongings if they don't come back and | so on. Its not the style that was common at that time. I | mean, it gives you perspective on extreme mountaineering and | people doing it like few documents do, even in these days. | | Whether you like Messner's personality or not, its a damn | fine documentary and shows why these guys are not mere | athletes like world champions/olympic winners. | beloch wrote: | I love many of Werner's movies (and dislike a couple). He | tends to root things in historical fact without going _too_ | far afield. His protagonists are usually realistically flawed | and frequently outright unhinged (e.g. most of Kinski 's | roles). Many of his films have a uniquely lyrical character, | and his taste in music usually coincides with my own. (If you | hate the music a director chooses it often makes it hard to | like his films). His documentaries (e.g. "Little Dieter Needs | to Fly" or "Grizzly Man") feature unique and fascinating | people, and Herzog digs deep into their stories. | | It's okay to hate good films though. A big part of | appreciating culture is learning to recognize when something | is good, but not for you. e.g. Many go gaga for Antonioni's | "L'Avventura". It may have done some pretty revolutionary | things for film, but I hate it with a passion. I can't stand | it's plot structure and loathe every one of it's characters. | I recognize that it is a good film, but also that it's not | for me. | | Be careful to say, "I didn't like that film" instead of "That | is a bad film because I didn't like it". | leephillips wrote: | They're considered great by the people who consider them | great. Personally, I think he's insufferable. He was granted | exclusive access to make a documentary about the Chauvet | caves, and made a film mostly about himself. What a waste. | evan_ wrote: | _He_ didn 't, he hired indigenous people to do it. | pimeys wrote: | And worked with Kinski. Lucky he's still alive! | | brilliant movies though... | noblethrasher wrote: | It's Kinski that is lucky to have survived the filming: | | "In _My Best Fiend_ , Herzog says that one of the native | chiefs offered in all seriousness to kill Kinski for him, but | that he declined because he needed the actor to complete | filming"[1] | | [1] https://en.wikipedia.org/wiki/Fitzcarraldo | staticautomatic wrote: | Yeah the movie made it very blurry as to whether Herzog | liked, respected, tolerated, or used Kinski. Maybe all | those things. | weinzierl wrote: | Not to forget when he was shot _" with an insignificant | bullet"_ in the middle of a BBC interview in LA[1]. | | Also, if I had the choice between dragging a 320 ton steamship | over a mountain in the Amazon rainforest and working with a gun | carrying Klaus Kinski, I'd certainly chose the former. No | wonder nothing can frighten Werner Herzog, I guess. | | [1] https://www.youtube.com/watch?v=HrRNM9cMBDk | js2 wrote: | _Fitzcarraldo_ for anyone who doesn 't know the reference. | [deleted] ___________________________________________________________________ (page generated 2020-06-28 23:00 UTC)