[HN Gopher] Overuse of the word "the" in "Macbeth"
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       Overuse of the word "the" in "Macbeth"
        
       Author : rouli
       Score  : 17 points
       Date   : 2021-08-26 03:14 UTC (1 days ago)
        
 (HTM) web link (onezero.medium.com)
 (TXT) w3m dump (onezero.medium.com)
        
       | Steve_Baker77 wrote:
       | Paywall
        
       | yesenadam wrote:
       | I read this a few times, looking for evidence I missed that it's
       | a joke. Apparently not, but I can't be sure. If it's serious,
       | it's possibly the worst article I've ever read.
       | 
       | > But fans of Macbeth often say its freaky qualities are deeper
       | than just the plot devices and characters. For centuries, people
       | been unsettled by the very language of the play.
       | 
       | > Actors and critics have long remarked that when you read
       | Macbeth out loud, it feels like your voice and mouth and brain
       | are doing something ever so slightly wrong. There's something
       | subconsciously off about the sound of the play, and it spooks
       | people. It's as if Shakespeare somehow wove a tiny bit of
       | creepiness into every single line. The literary scholar George
       | Walton Williams described the "continuous sense of menace" and
       | "horror" that pervades even seemingly innocuous scenes.
       | 
       | > For centuries, Shakespeare fans and theater folk have wondered
       | about this, but could never quite explain it.
       | 
       | Um.. gee, in high school it was pointed out to me how constant
       | themes in _Macbeth_ are how unnatural things have become, how
       | everything is strange, qualities /values reversed from normal -
       | _fair is foul and foul is fair_ etc, animals doing weird things,
       | bad omens etc. It never stops, all the way through. I had to go
       | through the play and list how many animals are mentioned, doing
       | strange things. It 's constant. People meet in the play and it's
       | not "Lovely day isn't it" but an anecdote about how so-and-so saw
       | something incredibly weird and impossible happen. Over that
       | background is the quickly escalating paranoia and madness of
       | Macbeth & Lady Macbeth. Etc. Can't be bothered writing more, I
       | didn't want to say just "This is total nonsense.", but it is.
       | (Flagged.)
        
       | andensande wrote:
       | The conclusions of the article seem a bit far-fetched to me, and
       | seem to ignore the rhetorical style of poetry and theatre at the
       | time. One of the examples the author gives (where they missed a
       | contracted instance of "the"):
       | 
       | > [...] Look like th' innocent flower,/But be the serpent under
       | 't.
       | 
       | It is still acceptable in modern English to say something like
       | 
       | > Seem like the innocent flower, but be as the serpent underneath
       | it.
       | 
       | Certainly not casual, everyday speech -- but using a rhetorical
       | strategy of referring to an archetypal innocent flower, or an
       | archetypal serpent. I think it's an enormous stretch to claim
       | that Lady Macbeth and Macbeth had a specific innocent flower in
       | mind when they were speaking.
        
       | TillE wrote:
       | There's a little too much amateurish analysis here which doesn't
       | even attempt to distinguish between Early Modern English and 21st
       | century English, but ultimately I think the conclusion is
       | interesting and probably correct, that this helps set the tone of
       | the play.
        
         | edgyquant wrote:
         | Didn't Shakespeare kind of use his own version of English; even
         | by the standards of the day?
        
       | allturtles wrote:
       | I think this is just the way Shakespeare wrote, not anything
       | specific to Macbeth's 'creepiness.' I was able to quickly find a
       | similar example in Julius Caesar:
       | 
       | "Then he offered it to him again; then he put it by again; but,
       | to my thinking, he was very loath to lay his fingers off it. And
       | then he offered it _the_ third time; he put it _the_ third time
       | by; "
       | 
       | Or Much Ado About Nothing:
       | 
       | "I have _the_ toothache. "
       | 
       | It is not surprising that the way (a way?) articles are used has
       | changed in the last 400 years.
        
       | abathur wrote:
       | Use of "the" considered harmful. :)
        
       | sharkjacobs wrote:
       | That's a really interesting observation and fun analysis. I'm
       | going to reread Macbeth with this in mind and whether or not I
       | agree with all of the articles conclusions its a unique lens to
       | examine the text with.
        
       | [deleted]
        
       | karolisd wrote:
       | I'd wager the use of "the" is mostly about making the meter work
       | and having the iambic pentameter sound the way he wanted it to.
       | 
       | This isn't a data science question. Especially if the data
       | science is blind to meter and to phonetics.
        
         | lupire wrote:
         | why "the" but not "a"? Same meter.
         | 
         | But I agree it's silly that say "the" is what makes Macbeth
         | creepy, and not, you know, the occult theme that permeates it.
        
         | smoldesu wrote:
         | Precisely. 'the' is an easy single-syllable choice to pad out
         | your meter, so it makes perfect sense that it was abused here.
        
         | retrac wrote:
         | Shakespeare coined hundreds of neologisms presumably just to
         | make the verses scan. His English was never the best, honestly.
         | Like, in terms of being normal English. Much of his poetry was
         | odd even by the standards of the time. Creative odd, but odd.
        
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