[HN Gopher] The Mellotron, an electronic keyboard of recorded sa...
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       The Mellotron, an electronic keyboard of recorded samples, changed
       pop music
        
       Author : samizdis
       Score  : 84 points
       Date   : 2023-06-22 17:54 UTC (5 hours ago)
        
 (HTM) web link (daily.jstor.org)
 (TXT) w3m dump (daily.jstor.org)
        
       | tricky wrote:
       | I'm a terrible hobby musician and I love using the Mellotron
       | that's in GarageBand or Logic. I had no idea what it really was
       | before today (thanks for sharing the article) but it somehow
       | always adds some sort of perfect, whimsical ambiance to whatever
       | I'm trying to make. Give it a try with some reverb under a good
       | beat. Can't go wrong.
        
       | metal13 wrote:
       | Picked a good day to wear my Opeth hoodie...
        
         | volfied wrote:
         | Isn't it all Steven Wilson playing the mellotron on Opeth
         | records? Damnation is one of those albums where if you hear a
         | song from it, the whole thing is getting played.
        
       | niccl wrote:
       | I think the BBC used a version of the mellotron with sound
       | effects instead of instruments, so they could quickly access
       | effects during a radio show
        
       | sitkack wrote:
       | This whole comment section is a beautiful example of what makes
       | hn nice. All the interested folks, sharing their links, not
       | posturing about how smart they are or how stupid the post is.
       | Just wonderful exploration and learning.
        
       | Lio wrote:
       | An article about the Mellotron that doesn't mention King
       | Crimson's In the Court of the Crimson King? Disgraceful! :P
       | 
       | https://m.youtube.com/watch?v=ukgraQ-xkp4&pp=ygUta2luZyBjcml...
        
         | hondo77 wrote:
         | Or Michael Pinder from The Moody Blues. You know, the guy who
         | also introduced the Mellotron to The Beatles?
        
         | Applejinx wrote:
         | One could also mention the Birotron. It was a mellotron-type
         | instrument that Rick Wakeman had in the mid-seventies, but
         | instead of the Mellotron strips of rewindable tape, it used
         | 8-track tape housings to hold its tape.
         | 
         | The members of Yes are said to have pranked Rick one day, by
         | swapping out all the tapes for commercial 8-tracks, so when he
         | began to play it was a cacophony of pop songs overlaid onto
         | each other, rather than the appropriate sounds. It's said that
         | Wakeman was quite cross :)
         | 
         | (the instrument is heard on Tangerine Dream's album Force
         | Majeure: strings and male choir
         | https://www.youtube.com/watch?v=Afqgm3CzzQY )
        
         | devnull255 wrote:
         | Right? And King Crimson sold one of theirs to Tony Banks of
         | Genesis. At least that's a claim here:
         | https://en.wikipedia.org/wiki/Mellotron I loved its use on The
         | Lamb Lies Down on Broadway.
        
       | joemi wrote:
       | There's a group called Mellotron Variations (led by a great
       | organist, John Medeski) where all four members play Mellotrons.
       | It's very interesting, and much more varied than you might expect
       | if you're familiar with the typical Mellotron uses. There are
       | some videos of their live performances on youtube, including an
       | NPR Tiny Desk concert.
        
         | rwmj wrote:
         | I'm thinking about the MTBF of Mellotrons, and thinking it's a
         | miracle all 4 band members were able to play together ...
        
       | noizejoy wrote:
       | There's a fantastic free collection of samples recorded from real
       | Mellotrons, which is worth knowing about for anyone desiring to
       | experiment with creating their own virtual Mellotron.
       | 
       | "Tajiguy mellotron samples" in your favourite search engine,
       | should hopefully get you to the right place.
        
       | Kye wrote:
       | I have an emulated version through Arturia's V Collection. It's
       | fun to play around with even if newer sampler VSTs are more
       | featureful. It's an easy way to get a specific sound of the era
       | it came from.
        
       | retrac wrote:
       | Conceptually similar, there was also the ANS synthesizer [1]
       | designed by the Soviet engineer Evgeny Murzin. Unlike the
       | Mellotron, it was opto-electronic, giving the composer more
       | direct access and control over the "samples". Waveforms were
       | drawn on glass plates, and pressing one of the keys would scan
       | across the associated plate, feeding the generated signal through
       | various filters, etc.
       | 
       | It features prominently in the soundtrack by Eduard Artemyev, for
       | the historical film _Siberiade_ from 1979. [2]
       | 
       | [1] https://en.m.wikipedia.org/wiki/ANS_synthesizer
       | 
       | [2] https://youtube.com/watch?v=sJj9y4t9UnU
        
         | Gordonjcp wrote:
         | I remember my dad telling me years and years ago about an
         | arbitrary function generator that they used at university,
         | where you had an oscilloscope with a cardboard mask
         | representing the function's graph in front of the screen, and a
         | light sensor in a light-tight funnel that controlled the spot
         | height. When light shone on the sensor it would reduce the
         | input voltage, and so the spot would trace the top of the
         | cardboard mask.
         | 
         | This actually works quite well!
        
           | ano-ther wrote:
           | Very clever!
        
         | joezydeco wrote:
         | A somewhat distant cousin to that is the Mattel Optigan, which
         | used waveforms printed on a transparent sheet of plastic and
         | spun over a photocell.
         | 
         | https://en.wikipedia.org/wiki/Optigan
        
           | epcoa wrote:
           | That's how sound movies worked for years.
        
         | cadr wrote:
         | There is a cool app that emulates it -
         | https://www.warmplace.ru/soft/ans/
        
         | rodgerd wrote:
         | > Waveforms were drawn on glass plates
         | 
         | Interestingly enough the documentary "Sisters with Transistors"
         | show some British pioneers adopt a similar approach, but
         | drawing on film rather than glass plates, in the 40s and 50s.
        
       | TheHideout wrote:
       | Tangentially related, Melotron is the name of a fantastic
       | synthpop band.
       | 
       | https://en.wikipedia.org/wiki/Melotron
        
       | alecfreudenberg wrote:
       | John Medeski is a legendary jazz keyboardist who experimentally
       | uses the tape speed to get extraordinary texture out of his OG
       | mellotron.
       | 
       | He recently put out a great record called 'Mellotron Variations'
       | with a few other artists that gives you a deep dive into its
       | tonal qualities.
       | 
       | The modern digital mellotrons are so satisfying to play,
       | especially with the instrument layering and mixing. Truly feels
       | like like scoring an orchestra at your fingertips.
        
       | w0mbat wrote:
       | The original article is wrong to use the term "samples". That
       | only applies when making a digital representation of an analog
       | signal by "sampling" the amplitude thousands of times a second.
       | These are recordings.
       | 
       | The Mellotron is still alive and well, both as a mechanical
       | instrument still supported and made by Streetly Electronics, and
       | in digital form by the official plug-in versions from GForce
       | Software like https://www.gforcesoftware.com/products/m-tron-pro/
       | . I suppose with the plug-in virtual Mellotron the sounds really
       | are samples.
        
         | roblh wrote:
         | I don't think sample really implies it has to be digital at
         | all. "Sampling" can mean what you said, but I think a mellotron
         | is very much a sampler by most definitions. It plays back a
         | chunk of a pre-existing recording.
        
           | Applejinx wrote:
           | More than that, it plays back a particular snippet of audio
           | recording, over and over, upon pressing a particular key.
           | Play a different key and you get a different recording, and
           | they're not meant to be heard once, they're meant to map to
           | the sounding of a particular note, whether that be played
           | staccato (playing only from the attack) or legato (playing
           | the full length of the sample).
           | 
           | The Mellotron is an analog multi-sample sample-playing
           | instrument. It's just that working in analog makes everything
           | way more cumbersome.
        
         | whstl wrote:
         | I'd say the part of a sample being "a digital representation"
         | is correct, however there's a fun exception to that rule:
         | circuits called bucket-brigade delays that perform "analog
         | sampling", using capacitors. They're still used a lot in
         | musical contexts.
         | 
         | Those are traditionally regarded as being analog, although in
         | recent times I've seen people claiming they're not, since they
         | use discrete instead of continuous signals. So they're kind of
         | halfway.
        
         | scarecrowbob wrote:
         | A as musician, technologist, and sample user of many years I
         | disagree.
         | 
         | Your usage of sample is correct, but there are other usages of
         | the word which are alos correct, and the term "sampler" isn't
         | specific to the literal digital signal sampling.
         | 
         | I have bought and made plenty of sample packs, to be played
         | back by various sample players, over the last 25 years. A
         | "sampler" refers to how the device works with recordings, not
         | the individual digital samples that it makes up- as far as I
         | understand it anything that allows you to recontextualuze short
         | recordings is a sampler,
         | 
         | A mellotron very much is a mechanical sampler, though very
         | limited compared to its current digital counterparts.
         | 
         | I am open to being wrong. But your claim is a bit odd. While
         | I'd be stoked to see some evidence in the philology of the term
         | that says I'm wrong, I just don't think that is something you'd
         | find.
        
         | epcoa wrote:
         | The term sampling is used in DJing and music production for a
         | short "sample" of a whole, long before digital recording
         | technologies were used. You're too ridgid in your definition.
         | (I am also surprised why this specific "well akshully" comes up
         | - it's not like DJ sampling or hip hop sampling is obscure.)
        
         | burnte wrote:
         | Sampling in the analog world happened for millennia before
         | computers. It's a perfectly good use of the word here. It does
         | not in anyway only apply to digital.
        
         | nohankyou wrote:
         | Why does it have to be digital? A sample is a small portion of
         | a whole, digital, analog, regardless of the medium.
         | 
         | These are recordings of a sample of parts from instruments.
        
       | stuartmemo wrote:
       | I made a little online version if anyone's interested -
       | https://sodaphonic.com/instruments/mellotron
        
       | weinzierl wrote:
       | Vulfpeck's Woody Goss has a short but excellent video about
       | vintage keyboard instruments, one of them being the Mellotron.
       | 
       | https://m.youtube.com/watch?v=rK8FhHt0iO4
        
       | dang wrote:
       | Related:
       | 
       |  _The Mellotron In Action [video]_ -
       | https://news.ycombinator.com/item?id=17939204 - Sept 2018 (44
       | comments)
        
       | MontgomeryPi2 wrote:
       | Obligatory Moody Blues song link:
       | https://www.youtube.com/watch?v=TlMebMCru9s
        
         | rwmj wrote:
         | Or most Van Der Graaf Generator songs. eg
         | https://www.youtube.com/watch?v=bDDf_SuAlBA
         | (https://en.wikipedia.org/wiki/A_Plague_of_Lighthouse_Keepers)
        
           | beders wrote:
           | Or Genesis https://www.youtube.com/watch?v=2agWXrNJGjg
        
             | jim-jim-jim wrote:
             | They bought their mellotron used from King Crimson, who
             | must have upgraded to a different model. I'm not dedicated
             | enough to know the differences in the makes, but Genesis'
             | would break down with enough regularity that Gabriel and
             | Collins had a little story and drum routine they'd distract
             | the audience with whenever it needed to be repaired.
        
       | jacquesm wrote:
       | The intro to Strawberry fields is a Mellotron:
       | 
       | https://www.youtube.com/watch?v=HtUH9z_Oey8
        
       | squigg wrote:
       | If the Panoptigon playing Kraftwerk "Uranium" does not send a
       | shiver up the spine of anyone in tech, then you my friend should
       | have a good hard look in the mirror.
       | 
       | https://www.youtube.com/watch?v=T6uvpd38msA
        
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       (page generated 2023-06-22 23:00 UTC)