Of these different forms, custom gives one to the child, and it is the only one he retains until the age of reason. In order to have two, he must be able to compare ideas; and how can he do this when he is scarcely able to grasp them? Each object may for him have a thousand different signs, but each idea can have but one form; he can therefore learn to speak only one language. It is nevertheless maintained that he learns several; this I deny. I have seen little prodigies who thought they could speak six or seven: I have heard them speak German in Latin, French, and Italian idioms successively. They did indeed use five or six vocabularies, but they never spoke anything but German. In short, you may give children as many synonyms as you please, and you will change only their words, and not their language; they will never know more than one.
To hide this inability we, by preference, give them practice in the dead languages, of which there are no longer any unexceptionable judges. The familiar use of these tongues having long been lost, we content ourselves with imitating what we find of them in books, and call this speaking them. If such be the Greek and Latin of the masters, you may judge what that of the children is. Scarcely have they learned by heart the rudiments, without in the least understanding them, before they are taught to utter a French discourse in Latin words; and, when further advanced, to string together in prose, phrases from Cicero and cantos from Virgil. Then they imagine they are speaking Latin, and who is there to contradict them?[12]
In any study, words that represent things are nothing without the ideas of the things they represent. We, however, limit children to these signs, without ever being able to make them understand the things represented. We think we are teaching a child the description of the earth, when he is merely learning maps. We teach him the names of cities, countries, rivers; he has no idea that they exist anywhere but on the map we use in pointing them out to him. I recollect seeing somewhere a text-book on geography which began thus:
"What is the world? A pasteboard globe." Precisely such is the geography of children. I will venture to say that after two years of globes and cosmography no child of ten, by rules they give him, could find the way from Paris to St. Denis. I maintain that not one of them, from a plan of his father's garden, could trace out its windings without going astray. And yet these are the knowing creatures who can tell you exactly where Pekin, Ispahan, Mexico, and all the countries of the world are.
I hear it suggested that children ought to be engaged in studies in which only the eye is needed. This might be true if there were studies in which their eyes were not needed; but I know of none such.
A still more ridiculous method obliges children to study history, supposed to be within their comprehension because it is only a collection of facts.[13] But what do we mean by facts? Do we suppose that the relations out of which historic facts grow are so easily understood that the minds of children grasp such ideas without difficulty? Do we imagine that the true understanding of events can be separated from that of their causes and effects? and that the historic and the moral are so far asunder that the one can be understood without the other? If in men's actions you see only purely external and physical changes, what do you learn from history? Absolutely nothing; and the subject, despoiled of all interest, no longer gives you either pleasure or instruction. If you intend to estimate actions by their moral relations, try to make your pupils understand these relations, and you will discover whether history is adapted to their years.
If there is no science in words, there is no study especially adapted to children. If they have no real ideas, they have no real memory; for I do not call that memory which retains only impressions. Of what use is it to write on their minds a catalogue of signs that represent nothing to them? In learning the things represented, would they not also learn the signs? Why do you give them the useless trouble of learning them twice? Besides, you create dangerous prejudices by making them suppose that science consists of words meaningless to them. The first mere word with which the child satisfies himself, the first thing he learns on the authority of another person, ruins his judgment. Long must he shine in the eyes of unthinking persons before he can repair such an injury to himself.
No; nature makes the child's brain so yielding that it receives all kinds of impressions; not that we may make his childhood a distressing burden to him by engraving on that brain dates, names of kings, technical terms in heraldry, mathematics, geography, and all such words, unmeaning to him and unnecessary to persons at any age in life. But all ideas that he can understand, and that are of use to him, all that conduce to his happiness and that will one day make his duties plain, should early write themselves there indelibly, to guide him through life as his condition and his intellect require.
The memory of which a child is capable is far from inactive, even without the use of books. All he sees and hears impresses him, and he remembers it. He keeps a mental register of people's sayings and doings. Everything around him is the book from which he is continually but unconsciously enriching his memory against the time his judgment can benefit by it. If we intend rightly to cultivate this chief faculty of the mind, we must choose these objects carefully, constantly acquainting him with such as he ought to understand, and keeping back those he ought not to know. In this way we should endeavor to make his mind a storehouse of knowledge, to aid in his education in youth, and to direct him at all times. This method does not, it is true, produce phenomenal children, nor does it make the reputation of their teachers; but it produces judicious, robust men, sound in body and in mind, who, although not admired in youth, will make themselves respected in manhood.
Émile shall never learn anything by heart, not even fables such as those of La Fontaine, simple and charming as they are. For the words of fables are no more the fables themselves than the words of history are history itself. How can we be so blind as to call fables moral lessons for children? We do not reflect that while these stories amuse they also mislead children, who, carried away by the fiction, miss the truth conveyed; so that what makes the lesson agreeable also makes it less profitable. Men may learn from fables, but children must be told the bare truth; if it be veiled, they do not trouble themselves to lift the veil.[14]
Since nothing ought to be required of children merely in proof of their obedience, it follows that they can learn nothing of which they cannot understand the actual and immediate advantage, whether it be pleasant or useful. Otherwise, what motive will induce them to learn it? The art of conversing with absent persons, and of hearing from them, of communicating to them at a distance, without the aid of another, our feelings, intentions, and wishes, is an art whose value may be explained to children of almost any age whatever. By what astonishing process has this useful and agreeable art become so irksome to them? They have been forced to learn it in spite of themselves, and to use it in ways they cannot understand. A child is not anxious to perfect the instrument used in tormenting him; but make the same thing minister to his pleasures, and you cannot prevent him from using it.
Much attention is paid to finding out the best methods of teaching children to read. We invent printing-offices and charts; we turn a child's room into a printer's establishment.[15] Locke proposes teaching children to read by means of dice; a brilliant contrivance indeed, but a mistake as well. A better thing than all these, a thing no one thinks of, is the desire to learn. Give a child this desire, and you will not need dice or reading lotteries; any device will serve as well. If, on the plan I have begun to lay down, you follow rules exactly contrary to those most in fashion, you will not attract and bewilder your pupil's attention by distant places, climates, and ages of the world, going to the ends of the earth and into the very heavens themselves, but will make a point of keeping it fixed upon himself and what immediately concerns him; and by this plan you will find him capable of perception, memory, and even reasoning; this is the order of nature.[16] In proportion as a creature endowed with sensation becomes active, it acquires discernment suited to its powers, and the surplus of strength needed to preserve it is absolutely necessary in developing that speculative faculty which uses the same surplus for other ends. If, then, you mean to cultivate your pupil's understanding, cultivate the strength it is intended to govern. Give him constant physical exercise; make his body sound and robust, that you may make him wise and reasonable. Let him be at work doing something; let him run, shout, be always in motion; let him be a man in vigor, and he will the sooner become one in reason.
You would indeed make a mere animal of him by this method if you are continually directing him, and saying, "Go; come; stay; do this; stop doing that." If your head is always to guide his arm, his own head will be of no use to him. But recollect our agreement; if you are a mere pedant, there is no use in your reading what I write.
To imagine that physical exercise injures mental operations is a wretched mistake; the two should move in unison, and one ought to regulate the other.
My pupil, or rather nature's pupil, trained from the first to depend as much as possible on himself, is not continually running to others for advice. Still less does he make a display of his knowledge. On the other hand, he judges, he foresees, he reasons, upon everything that immediately concerns him; he does not prate, but acts. He is little informed as to what is going on in the world, but knows very well what he ought to do, and how to do it. Incessantly in motion, he cannot avoid observing many things, and knowing many effects. He early gains a wide experience, and takes his lessons from nature, not from men. He instructs himself all the better for discovering nowhere any intention of instructing him. Thus, at the same time, body and mind are exercised. Always carrying out his own ideas, and not another person's, two processes are simultaneously going on within him. As he grows robust and strong, he becomes intelligent and judicious.
In this way he will one day have those two excellences,—thought incompatible indeed, but characteristic of nearly all great men,—strength of body and strength of mind, the reason of a sage and the vigor of an athlete.
I am recommending a difficult art to you, young teacher,—the art of governing without rules, and of doing everything by doing nothing at all. I grant, that at your age, this art is not to be expected of you. It will not enable you, at the outset, to exhibit your shining talents, or to make yourself prized by parents; but it is the only one that will succeed. To be a sensible man, your pupil must first have been a little scapegrace. The Spartans were educated in this way; not tied down to books, but obliged to steal their dinners;[17] and did this produce men inferior in understanding? Who does not remember their forcible, pithy sayings? Trained to conquer, they worsted their enemies in every kind of encounter; and the babbling Athenians dreaded their sharp speeches quite as much as their valor.
In stricter systems of education, the teacher commands and thinks he is governing the child, who is, after all, the real master. What you exact from him he employs as means to get from you what he wants. By one hour of diligence he can buy a week's indulgence. At every moment you have to make terms with him. These bargains, which you propose in your way, and which he fulfils in his own way, always turn out to the advantage of his whims, especially when you are so careless as to make stipulations which will be to his advantage whether he carries out his share of the bargain or not. Usually, the child reads the teacher's mind better than the teacher reads his. This is natural; for all the sagacity the child at liberty would use in self-preservation he now uses to protect himself from a tyrant's chains; while the latter, having no immediate interest in knowing the child's mind, follows his own advantage by leaving vanity and indolence unrestrained.
Do otherwise with your pupil. Let him always suppose himself master, while you really are master. No subjection is so perfect as that which retains the appearance of liberty; for thus the will itself is made captive. Is not the helpless, unknowing child at your mercy? Do you not, so far as he is concerned, control everything around him? Have you not power to influence him as you please? Are not his work, his play, his pleasure, his pain, in your hands, whether he knows it or not?
Doubtless he ought to do only what he pleases; but your choice ought to control his wishes. He ought to take no step that you have not directed; he ought not to open his lips without your knowing what he is about to say.
In this case he may, without fear of debasing his mind, devote himself to exercises of the body. Instead of sharpening his wits to escape an irksome subjection, you will observe him wholly occupied in finding out in everything around him that part best adapted to his present well-being. You will be amazed at the subtilty of his contrivances for appropriating to himself all the objects within the reach of his understanding, and for enjoying everything without regard to other people's opinions.
By thus leaving him free, you will not foster his caprices. If he never does anything that does not suit him, he will soon do only what he ought to do. And, although his body be never at rest, still, if he is caring for his present and perceptible interests, all the reason of which he is capable will develop far better and more appropriately than in studies purely speculative.
As he does not find you bent on thwarting him, does not distrust you, has nothing to hide from you, he will not deceive you or tell you lies. He will fearlessly show himself to you just as he is. You may study him entirely at your ease, and plan lessons for him which he will all unconsciously receive.
He will not pry with suspicious curiosity into your affairs, and feel pleasure when he finds you in fault. This is one of our most serious disadvantages. As I have said, one of a child's first objects is to discover the weaknesses of those who have control of him. This disposition may produce ill-nature, but does not arise from it, but from their desire to escape an irksome bondage. Oppressed by the yoke laid upon them, children endeavor to shake it off; and the faults they find in their teachers yield them excellent means for doing this. But they acquire the habit of observing faults in others, and of enjoying such discoveries. This source of evil evidently does not exist in Émile. Having no interest to serve by discovering my faults, he will not look for them in me, and will have little temptation to seek them in other people.
This course of conduct seems difficult because we do not reflect upon it; but taking it altogether, it ought not to be so. I am justified in supposing that you know enough to understand the business you have undertaken; that you know the natural progress of the human mind; that you understand studying mankind in general and in individual cases; that among all the objects interesting to his age that you mean to show your pupil, you know beforehand which of them will influence his will.
Now if you have the appliances, and know just how to use them, are you not master of the operation?
You object that children have caprices, but in this you are mistaken. These caprices result from faulty discipline, and are not natural. The children have been accustomed either to obey or to command, and I have said a hundred times that neither of these two things is necessary. Your pupil will therefore have only such caprices as you give him, and it is just you should be punished for your own faults. But do you ask how these are to be remedied? It can still be done by means of better management and much patience.
Man's first natural movements are for the purpose of comparing himself with whatever surrounds him and finding in each thing those sensible qualities likely to affect himself. His first study is, therefore, a kind of experimental physics relating to his own preservation. From this, before he has fully understood his place here on earth, he is turned aside to speculative studies. While yet his delicate and pliable organs can adapt themselves to the objects upon which they are to act, while his senses, still pure, are free from illusion, it is time to exercise both in their peculiar functions, and to learn the perceptible relations between ourselves and outward things. Since whatever enters the human understanding enters by the senses, man's primitive reason is a reason of the senses, serving as foundation for the reason of the intellect. Our first teachers in philosophy are our own feet, hands, and eyes. To substitute books for these is teaching us not to reason, but to use the reason of another; to believe a great deal, and to know nothing at all.
In practising an art we must begin by procuring apparatus for it; and to use this apparatus to advantage, we must have it solid enough to bear use. In learning to think, we must therefore employ our members, our senses, our organs, all which are the apparatus of our understanding. And to use them to the best advantage, the body which furnishes them must be sound and robust. Our reason is therefore so far from being independent of the body, that a good constitution renders mental operations easy and accurate. In indicating how the long leisure of childhood ought to be employed, I am entering into particulars which maybe thought ridiculous. "Pretty lessons," you will tell me, "which you yourself criticize for teaching only what there is no need of learning! Why waste time in instructions which always come of their own accord, and cost neither care nor trouble? What child of twelve does not know all you are going to teach yours, and all that his masters have taught him besides?"
Gentlemen, you are mistaken. I am teaching my pupil a very tedious and difficult art, which yours certainly have not acquired,—that of being ignorant. For the knowledge of one who gives himself credit for knowing only what he really does know reduces itself to a very small compass. You are teaching science: very good; I am dealing with the instrument by which science is acquired. All who have reflected upon the mode of life among the ancients attribute to gymnastic exercises that vigor of body and mind which so notably distinguishes them from us moderns. Montaigne's support of this opinion shows that he had fully adopted it; he returns to it again and again, in a thousand ways. Speaking of the education of a child, he says, "We must make his mind robust by hardening his muscles; inure him to pain by accustoming him to labor; break him by severe exercise to the keen pangs of dislocation, of colic, of other ailments." The wise Locke,[18] the excellent Rollin,[19] the learned Fleury,[20] the pedantic de Crouzas,[21] so different in everything else, agree exactly on this point of abundant physical exercise for children. It is the wisest lesson they ever taught, but the one that is and always will be most neglected.
As to clothing, the limbs of a growing body should be entirely free. Nothing should cramp their movements or their growth; nothing should fit too closely or bind the body; there should be no ligatures whatever. The present French dress cramps and disables even a man, and is especially injurious to children. It arrests the circulation of the humors; they stagnate from an inaction made worse by a sedentary life. This corruption of the humors brings on the scurvy, a disease becoming every day more common among us, but unknown to the ancients, protected from it by their dress and their mode of life. The hussar dress does not remedy this inconvenience, but increases it, since, to save the child a few ligatures, it compresses the entire body. It would be better to keep children in frocks as long as possible, and then put them into loosely fitting clothes, without trying to shape their figures and thereby spoil them. Their defects of body and of mind nearly all spring from the same cause: we are trying to make men of them before their time.
Of bright and dull colors, the former best please a child's taste; such colors are also most becoming to them; and I see no reason why we should not in such matters consult these natural coincidences. But the moment a material is preferred because it is richer, the child's mind is corrupted by luxury, and by all sorts of whims. Preferences like this do not spring up of their own accord. It is impossible to say how much choice of dress and the motives of this choice influence education. Not only do thoughtless mothers promise children fine clothes by way of reward, but foolish tutors threaten them with coarser and simpler dress as punishment. "If you do not study your lessons, if you do not take better care of your clothes, you shall be dressed like that little rustic." This is saying to him, "Rest assured that a man is nothing but what his clothes make him; your own worth depends on what you wear." Is it surprising that sage lessons like this so influence young men that they care for nothing but ornament, and judge of merit by outward appearance only?
Generally, children are too warmly clothed, especially in their earlier years. They should be inured to cold rather than heat; severe cold never incommodes them when they encounter it early. But the tissue of their skin, as yet yielding and tender, allows too free passage to perspiration, and exposure to great heat invariably weakens them. It has been observed that more children die in August than in any other month. Besides, if we compare northern and southern races, we find that excessive cold, rather than excessive heat, makes man robust. In proportion as the child grows and his fibres are strengthened, accustom him gradually to withstand heat; and by degrees you will without risk train him to endure the glowing temperature of the torrid zone.
Children need a great deal of sleep because they take a great deal of exercise. The one acts as corrective to the other, so that both are necessary. As nature teaches us, night is the time for rest. Constant observation shows that sleep is softer and more profound while the sun is below the horizon. The heated air does not so perfectly tranquillize our tired senses. For this reason the most salutary habit is to rise and to go to rest with the sun. In our climate man, and animals generally, require more sleep in winter than in summer. But our mode of life is not so simple, natural, and uniform that we can make this regular habit a necessity. We must without doubt submit to regulations; but it is most important that we should be able to break them without risk when occasion requires. Do not then imprudently soften your pupil by letting him lie peacefully asleep without ever being disturbed. At first let him yield without restraint to the law of nature, but do not forget that in our day we must be superior to this law; we must be able to go late to rest and rise early, to be awakened suddenly, to be up all night, without discomfort. By beginning early, and by always proceeding slowly, we form the constitution by the very practices which would ruin it if it were already established.
It is important that your pupil should from the first be accustomed to a hard bed, so that he may find none uncomfortable.
Generally, a life of hardship, when we are used to it, gives us a far greater number of agreeable sensations than does a life of ease, which creates an infinite number of unpleasant ones. One too delicately reared can find sleep only upon a bed of down; one accustomed to bare boards can find it anywhere. No bed is hard to him who falls asleep as soon as his head touches the pillow. The best bed is the one which brings the best sleep. Throughout the day no slaves from Persia, but Émile and I, will prepare our beds. When we are tilling the ground we shall be making them soft for our slumber.
A child has not a man's stature, strength, or reason; but he sees and hears almost or quite as well. His sense of taste is as keen, though he does not enjoy it as a pleasure.
Our senses are the first powers perfected in us. They are the first that should be cultivated and the only ones forgotten, or at least, the most neglected.
To exercise the senses is not merely to use them, but to learn how to judge correctly by means of them; we may say, to learn how to feel. For we cannot feel, or hear, or see, otherwise than as we have been taught.
There is a kind of exercise, purely natural and mechanical, that renders the body robust without injuring the mind. Of this description are swimming, running, leaping, spinning tops, and throwing stones. All these are well enough; but have we nothing but arms and legs? Have we not eyes and ears as well? and are they of no use while the others are employed? Use, then, not only your bodily strength, but all the senses which direct it. Make as much of each as possible, and verify the impressions of one by those of another. Measure, count, weigh, and compare. Use no strength till after you have calculated the resistance it will meet. Be careful to estimate the effect before you use the means. Interest the child in never making any useless or inadequate trials of strength. If you accustom him to forecast the effect of every movement, and to correct his errors by experience, is it not certain that the more he does the better his judgment will be?
If the lever he uses in moving a heavy weight be too long, he will expend too much motion; if too short, he will not have power enough. Experience will teach him to choose one exactly suitable. Such practical knowledge, then, is not beyond his years. If he wishes to carry a burden exactly as heavy as his strength will bear, without the test of first lifting it, must he not estimate its weight by the eye? If he understands comparing masses of the same material but of different size, let him choose between masses of the same size but of different material. This will oblige him to compare them as to specific gravity. I have seen a well-educated young man who, until he had tried the experiment, would not believe that a pail full of large chips weighs less than it does when full of water.
We have not equal control of all our senses. One of them, the sense of touch, is in continual action so long as we are awake. Diffused over the entire surface of the body, it serves as a perpetual sentinel to warn us of what is likely to harm us. By the constant use of this sense, voluntary or otherwise, we gain our earliest experience. It therefore stands less in need of special cultivation. We observe however, that the blind have a more delicate and accurate touch than we, because, not having sight to guide them, they depend upon touch for the judgments we form with the aid of sight. Why then do we not train ourselves to walk, like them, in the dark, to recognize by the touch all bodies we can reach, to judge of objects around us, in short, to do by night and in the dark all they do in daytime without eyesight? So long as the sun shines, we have the advantage of them; but they can guide us in darkness. We are blind during half our life-time, with this difference, that the really blind can always guide themselves, whereas we dare not take a step in the dead of night. You may remind me that we have artificial light. What! must we always use machines? Who can insure their being always at hand when we need them? For my part, I prefer that Émile, instead of keeping his eyes in a chandler's shop, should have them at the ends of his fingers.
As much as possible, let him be accustomed to play about at night. This advice is more important than it would seem. For men, and sometimes for animals, night has naturally its terrors. Rarely do wisdom, or wit, or courage, free us from paying tribute to these terrors. I have seen reasoners, free-thinkers, philosophers, soldiers, who were utterly fearless in broad daylight, tremble like women at the rustle of leaves by night. Such terrors are supposed to be the result of nursery tales. The real cause is the same thing which makes the deaf distrustful, and the lower classes superstitious; and that is, ignorance of objects and events around us.
The cause of the evil, once found, suggests the remedy. In everything, habit benumbs the imagination; new objects alone quicken it again. Every-day objects keep active not the imagination, but the memory; whence the saying "Ab assuetis non fit passio."[22] For only the imagination can set on fire our passions. If, therefore, you wish to cure any one of the fear of darkness, do not reason with him. Take him into the dark often, and you may be sure that will do him more good than philosophical arguments. When at work on the roofs of houses, slaters do not feel their heads swim; and those accustomed to darkness do not fear it at all.
There will be one advantage of our plays in the dark. But if you mean them to be successful, you must make them as gay as possible. Darkness is of all things the most gloomy; so do not shut your child up in a dungeon. When he goes into the dark make him laugh; when he leaves it make him laugh again; and all the time he is there, let the thought of what he is enjoying, and what he will find there when he returns, protect him from the shadowy terrors which might otherwise inhabit it.
I have heard some propose to teach children not to be afraid at night, by surprising them. This is a bad plan, and its effect is contrary to the one sought: it only makes them more timid than before. Neither reason nor habit can accustom us to a present danger, the nature and extent of which we do not know, nor can they lessen our dread of unexpected things however often we meet with them. But how can we guard our pupil against such accidents? I think the following is the best plan. I will tell my Émile, "If any one attacks you at night, you are justified in defending yourself; for your assailant gives you no notice whether he means to hurt you or only to frighten you. As he has taken you at a disadvantage, seize him boldly, no matter what he may seem to be. Hold him fast, and if he offers any resistance, hit him hard and often. Whatever he may say or do, never let go until you know exactly who he is. The explanation will probably show you that there is nothing to be afraid of; and if you treat a practical joker in this way, he will not be likely to try the same thing again."
Although, of all our senses, touch is the one most constantly used, still, as I have said, its conclusions are the most rude and imperfect. This is because it is always used at the same time with sight; and because the eye attains its object sooner than the hand; the mind nearly always decides without appealing to touch. On the other hand, the decisions of touch, just because they are so limited in their range, are the most accurate. For as they extend no farther than our arm's length, they correct the errors of other senses, which deal with distant objects, and scarcely grasp these objects at all, whereas all that the touch perceives it perceives thoroughly. Besides, if to nerve-force we add muscular action, we form a simultaneous impression, and judge of weight and solidity as well as of temperature, size, and shape. Thus touch, which of all our senses best informs us concerning impressions made upon us by external things, is the one oftenest used, and gives us most directly the knowledge necessary to our preservation.
The sense of touch confines its operations to a very narrow sphere around us, but those of sight extend far beyond; this sense is therefore liable to be mistaken. With a single glance a man takes in half his own horizon, and in these myriad impressions, and judgments resulting from them, how is it credible that there should be no mistakes? Sight, therefore, is the most defective of all our senses, precisely because it is most far-reaching, and because its operations, by far preceding all others, are too immediate and too vast to receive correction from them. Besides, the very illusions of perspective are needed to make us understand extension, and to help us in comparing its parts. If there were no false appearances, we could see nothing at a distance; if there were no gradations in size, we could form no estimate of distance, or rather there would be no distance at all. If of two trees the one a hundred paces away seemed as large and distinct as the other, ten paces distant, we should place them side by side. If we saw all objects in their true dimensions, we should see no space whatever; everything would appear to be directly beneath our eye.
For judging of the size and distance of objects, sight has only one measure, and that is the angle they form with our eye. As this is the simple effect of a compound cause, the judgment we form from it leaves each particular case undecided or is necessarily imperfect. For how can I by the sight alone tell whether the angle which makes one object appear smaller than another is caused by the really lesser magnitude of the object or by its greater distance from me?
An opposite method must therefore be pursued. Instead of relying on one sensation only, we must repeat it, verify it by others, subordinate sight to touch, repressing the impetuosity of the first by the steady, even pace of the second. For lack of this caution we measure very inaccurately by the eye, in determining height, length, depth, and distance. That this is not due to organic defect, but to careless use, is proved by the fact that engineers, surveyors, architects, masons, and painters generally have a far more accurate eye than we, and estimate measures of extension more correctly. Their business gives them experience that we neglect to acquire, and thus they correct the ambiguity of the angle by means of appearances associated with it, which enable them to determine more exactly the relation of the two things producing the angle.
Children are easily led into anything that allows unconstrained movement of the body. There are a thousand ways of interesting them in measuring, discovering, and estimating distances. "Yonder is a very tall cherry-tree; how can we manage to get some cherries? Will the ladder in the barn do? There is a very wide brook; how can we cross it? Would one of the planks in the yard be long enough? We want to throw a line from our windows and catch some fish in the moat around the house; how many fathoms long ought the line to be? I want to put up a swing between those two trees; would four yards of rope be enough for it? They say that in the other house our room will be twenty-five feet square; do you think that will suit us? Will it be larger than this? We are very hungry; which of those two villages yonder can we reach soonest, and have our dinner?"
As the sense of sight is the one least easily separated from the judgments of the mind, we need a great deal of time for learning how to see. We must for a long time compare sight with touch, if we would accustom our eye to report forms and distances accurately.
Without touch and without progressive movement, the keenest eye-sight in the world could give us no idea of extent. To an oyster the entire universe must be only a single point. Only by walking, feeling, counting, and measuring, do we learn to estimate distances.
If we always measure them, however, our eye, depending on this, will never gain accuracy. Yet the child ought not to pass too soon from measuring to estimating. It will be better for him, after comparing by parts what he cannot compare as wholes, finally to substitute for measured aliquot parts others, obtained by the eye alone. He should train himself in this manner of measuring instead of always measuring with the hand. I prefer that the very first operations of this kind should be verified by actual measurements, so that he may correct the mistakes arising from false appearances by a better judgment. There are natural measures, nearly the same everywhere, such as a man's pace, the length of his arm, or his height. When the child is calculating the height of the story of a house, his tutor may serve as a unit of measure. In estimating the altitude of a steeple, he may compare it with that of the neighboring houses. If he wants to know how many leagues there are in a given journey, let him reckon the number of hours spent in making it on foot. And by all means do none of this work for him; let him do it himself.
We cannot learn to judge correctly of the extent and size of bodies without also learning to recognize their forms, and even to imitate them. For such imitation is absolutely dependent on the laws of perspective, and we cannot estimate extent from appearances without some appreciation of these laws.
All children, being natural imitators, try to draw. I would have my pupil cultivate this art, not exactly for the sake of the art itself, but to render the eye true and the hand flexible. In general, it matters little whether he understands this or that exercise, provided he acquires the mental insight, and the manual skill furnished by the exercise. I should take care, therefore, not to give him a drawing-master, who would give him only copies to imitate, and would make him draw from drawings only. He shall have no teacher but nature, no models but real things. He shall have before his eyes the originals, and not the paper which represents them. He shall draw a house from a real house, a tree from a tree, a human figure from the man himself. In this way he will accustom himself to observe bodies and their appearances, and not mistake for accurate mutations those that are false and conventional. I should even object to his drawing anything from memory, until by frequent observations the exact forms of the objects had clearly imprinted themselves on his imagination, lest, substituting odd and fantastic shapes for the real things, he might lose the knowledge of proportion and a taste for the beauties of nature. I know very well that he will go on daubing for a long time without making anything worth noticing, and will be long in mastering elegance of outline, and in acquiring the deft stroke of a skilled draughtsman. He may never learn to discern picturesque effects, or draw with superior skill. On the other hand, he will have a more correct eye, a truer hand, a knowledge of the real relations of size and shape in animals, plants, and natural bodies, and practical experience of the illusions of perspective. This is precisely what I intend; not so much that he shall imitate objects as that he shall know them. I would rather have him show me an acanthus than a finished drawing of the foliation of a capital.
Yet I would not allow my pupil to have the enjoyment of this or any other exercise all to himself. By sharing it with him I will make him enjoy it still more. He shall have no competitor but myself; but I will be that competitor continually, and without risk of jealousy between us. It will only interest him more deeply in his studies. Like him I will take up the pencil, and at first I will be as awkward as he. If I were an Apelles, even, I will make myself a mere dauber.
I will begin by sketching a man just as a boy would sketch one on a wall, with a dash for each arm, and with fingers larger than the arms. By and by one or the other of us will discover this disproportion. We shall observe that a leg has thickness, and that this thickness is not the same everywhere; that the length of the arm is determined by its proportion to the body; and so on. As we go on I will do no more than keep even step with him, or will excel him by so little that he can always easily overtake and even surpass me. We will get colors and brushes; we will try to imitate not only the outline but the coloring and all the other details of objects. We will color; we will paint; we will daub; but in all our daubing we shall be continually peering into nature, and all we do shall be done under the eye of that great teacher.
If we had difficulty in finding decorations for our room, we have now all we could desire. I will have our drawings framed, so that we can give them no finishing touches; and this will make us both careful to do no negligent work. I will arrange them in order around our room, each drawing repeated twenty or thirty times, and each repetition showing the author's progress, from the representation of a house by an almost shapeless attempt at a square, to the accurate copy of its front elevation, profile, proportions, and shading. The drawings thus graded must be interesting to ourselves, curious to others, and likely to stimulate further effort. I will inclose the first and rudest of these in showy gilded frames, to set them off well; but as the imitation improves, and when the drawing is really good, I will add only a very simple black frame. The picture needs no ornament but itself, and it would be a pity that the bordering should receive half the attention.
Both of us will aspire to the honor of a plain frame, and if either wishes to condemn the other's drawing, he will say it ought to have a gilt frame. Perhaps some day these gilded frames will pass into a proverb with us, and we shall be interested to observe how many men do justice to themselves by framing themselves in the very same way.
I have said that geometry is not intelligible to children; but it is our own fault. We do not observe that their method is different from ours, and that what is to us the art of reasoning should be to them only the art of seeing. Instead of giving them our method, we should do better to take theirs. For in our way of learning geometry, imagination really does as much as reason. When a proposition is stated, we have to imagine the demonstration; that is, we have to find upon what proposition already known the new one depends, and from all the consequences of this known principle select just the one required. According to this method the most exact reasoner, if not naturally inventive, must be at fault. And the result is that the teacher, instead of making us discover demonstrations, dictates them to us; instead of teaching us to reason, he reasons for us, and exercises only our memory.
Make the diagrams accurate; combine them, place them one upon another, examine their relations, and you will discover the whole of elementary geometry by proceeding from one observation to another, without using either definitions or problems, or any form of demonstration than simple superposition. For my part, I do not even pretend to teach Émile geometry; he shall teach it to me. I will look for relations, and he shall discover them. I will look for them in a way that will lead him to discover them. In drawing a circle, for instance, I will not use a compass, but a point at the end of a cord which turns on a pivot. Afterward, when I want to compare the radii of a semi-circle, Émile will laugh at me and tell me that the same cord, held with the same tension, cannot describe unequal distances.
When I want to measure an angle of sixty degrees, I will describe from the apex of the angle not an arc only, but an entire circle; for with children nothing must be taken for granted. I find that the portion intercepted by the two sides of the angle is one-sixth of the whole circumference. Afterward, from the same centre, I describe another and a larger circle, and find that this second arc is one-sixth of the new circumference. Describing a third concentric circle, I test it in the same way, and continue the process with other concentric circles, until Émile, vexed at my stupidity, informs me that every arc, great or small, intercepted by the sides of this angle, will be one-sixth of the circumference to which it belongs. You see we are almost ready to use the instruments intelligently.
In order to prove the angles of a triangle equal to two right angles, a circle is usually drawn. I, on the contrary, will call Émile's attention to this in the circle, and then ask him, "Now, if the circle were taken away, and the straight lines were left, would the size of the angles be changed?"
It is not customary to pay much attention to the accuracy of figures in geometry; the accuracy is taken for granted, and the demonstration alone is regarded. Émile and I will pay no heed to the demonstration, but aim to draw exactly straight and even lines; to make a square perfect and a circle round. To test the exactness of the figure we will examine it in all its visible properties, and this will give us daily opportunity of finding out others. We will fold the two halves of a circle on the line of the diameter, and the halves of a square on its diagonal, and then examine our two figures to see which has its bounding lines most nearly coincident, and is therefore best constructed. We will debate as to whether this equality of parts exists in all parallelograms, trapeziums, and like figures. Sometimes we will endeavor to guess at the result of the experiment before we make it, and sometimes to find out the reasons why it should result as it does.
Geometry for my pupil is only the art of using the rule and compass well. It should not be confounded with drawing, which uses neither of these instruments. The rule and compass are to be kept under lock and key, and he shall be allowed to use them only occasionally, and for a short time, lest he fall into the habit of daubing. But sometimes, when we go for a walk, we will take our diagrams with us, and talk about what we have done or would like to do.
What has been said as to the two senses most continually employed and most important may illustrate the way in which I should exercise the other senses. Sight and touch deal alike with bodies at rest and bodies in motion. But as only the vibration of the air can arouse the sense of hearing, noise or sound can be made only by a body in motion. If everything were at rest, we could not hear at all. At night, when we move only as we choose, we have nothing to fear except from other bodies in motion. We therefore need quick ears to judge from our sensations whether the body causing them is large or small, distant or near, and whether its motion is violent or slight. The air, when in agitation, is subject to reverberations which reflect it back, produce echoes, and repeat the sensation, making the sonorous body heard elsewhere than where it really is. In a plain or valley, if you put your ear to the ground, you can hear the voices of men and the sound of horses' hoofs much farther than when standing upright. As we have compared sight with touch, let us also compare it with hearing, and consider which of the two impressions, leaving the same body at the same time, soonest reaches its organ. When we see the flash of a cannon there is still time to avoid the shot; but as soon as we hear the sound there is not time; the ball has struck. We can estimate the distance of thunder by the interval between the flash and the thunderbolt. Make the child understand such experiments; try those that are within his own power, and discover others by inference. But it would be better he should know nothing about these things than that you should tell him all he is to know about them.
We have an organ that corresponds to that of hearing, that is, the voice. Sight has nothing like this, for though we can produce sounds, we cannot give off colors. We have therefore fuller means of cultivating hearing, by exercising its active and passive organs upon one another.
Man has three kinds of voice: the speaking or articulate voice, the singing or melodious voice, and the pathetic or accented voice, which gives language to passion and animates song and speech. A child has these three kinds of voice as well as a man, but he does not know how to blend them in the same way. Like his elders he can laugh, cry, complain, exclaim, and groan. But he does not know how to blend these inflections with the two other voices. Perfect music best accomplishes this blending; but children are incapable of such music, and there is never much feeling in their singing. In speaking, their voice has little energy, and little or no accent.
Our pupil will have even a simpler and more uniform mode of speaking, because his passions, not yet aroused, will not mingle their language with his. Do not, therefore, give him dramatic parts to recite, nor teach him to declaim. He will have too much sense to emphasize words he cannot understand, and to express feelings he has never known.
Teach him to speak evenly, clearly, articulately, to pronounce correctly and without affectation, to understand and use the accent demanded by grammar and prosody. Train him to avoid a common fault acquired in colleges, of speaking louder than is necessary; have him speak loud enough to be understood; let there be no exaggeration in anything.
Aim, also, to render his voice in singing, even, flexible, and sonorous. Let his ear be sensitive to time and harmony, but to nothing more. Do not expect of him, at his age, imitative and theatrical music. It would be better if he did not even sing words. If he wished to sing them, I should try to invent songs especially for him, such as would interest him, as simple as his own ideas.
Of our different sensations, those of taste generally affect us most. We are more interested in judging correctly of substances that are to form part of our own bodies than of those which merely surround us. We are indifferent to a thousand things, as objects of touch, of hearing, or of sight; but there is almost nothing to which our sense of taste is indifferent. Besides, the action of this sense is entirely physical and material. Imagination and imitation often give a tinge of moral character to the impressions of all the other senses; but to this it appeals least of all, if at all. Generally, also, persons of passionate and really sensitive temperament, easily moved by the other senses, are rather indifferent in regard to this. This very fact, which seems in some measure to degrade the sense of taste, and to make excess in its indulgence more contemptible, leads me, however, to conclude that the surest way to influence children is by means of their appetite. Gluttony, as a motive, is far better than vanity; for gluttony is a natural appetite depending directly on the senses, and vanity is the result of opinion, is subject to human caprice and to abuse of all kinds. Gluttony is the passion of childhood, and cannot hold its own against any other; it disappears on the slightest occasion.
Believe me, the child will only too soon leave off thinking of his appetite; for when his heart is occupied, his palate will give him little concern. When he is a man, a thousand impulsive feelings will divert his mind from gluttony to vanity; for this last passion alone takes advantage of all others, and ends by absorbing them all. I have sometimes watched closely those who are especially fond of dainties; who, as soon as they awoke, were thinking of what they should eat during the day, and could describe a dinner with more minuteness than Polybius uses in describing a battle; and I have always found that these supposed men were nothing but children forty years old, without any force or steadiness of character. Gluttony is the vice of men who have no stamina. The soul of a gourmand has its seat in his palate alone; formed only for eating, stupid, incapable, he is in his true place only at the table; his judgment is worthless except in the matter of dishes. As he values these far more highly than others in which we are interested, as well as he, let us without regret leave this business of the palate to him.
It is weak precaution to fear that gluttony may take root in a child capable of anything else. As children, we think only of eating; but in youth, we think of it no more. Everything tastes good to us, and we have many other things to occupy us.
Yet I would not use so low a motive injudiciously, or reward a good action with a sugar-plum. Since childhood is or should be altogether made up of play and frolic, I see no reason why exercise purely physical should not have a material and tangible reward. If a young Majorcan, seeing a basket in the top of a tree, brings it down with a stone from his sling, why should he not have the recompense of a good breakfast, to repair the strength used in earning it?
A young Spartan, braving the risk of a hundred lashes, stole into a kitchen, and carried off a live fox-cub, which concealed under his coat, scratched and bit him till the blood came. To avoid the disgrace of detection, the child allowed the creature to gnaw his entrails, and did not lift an eyelash or utter a cry.[23] Was it not just that, as a reward, he was allowed to devour the beast that had done its best to devour him?
A good meal ought never to be given as a reward; but why should it not sometimes be the result of the pains taken to secure it? Émile will not consider the cake I put upon a stone as a reward for running well; he only knows that he cannot have the cake unless he reaches it before some other person does.
This does not contradict the principle before laid down as to simplicity in diet. For to please a child's appetite we need not arouse it, but merely satisfy it; and this may be done with the most ordinary things in the world, if we do not take pains to refine his taste. His continual appetite, arising from his rapid growth, is an unfailing sauce, which supplies the place of many others. With a little fruit, or some of the dainties made from milk, or a bit of pastry rather more of a rarity than the every-day bread, and, more than all, with some tact in bestowing, you may lead an army of children to the world's end without giving them any taste for highly spiced food, or running any risk of cloying their palate.
Besides, whatever kind of diet you give children, provided they are used only to simple and common articles of food, let them eat, run, and play as much as they please, and you may rest assured they will never eat too much, or be troubled with indigestion. But if you starve them half the time, and they can find a way to escape your vigilance, they will injure themselves with all their might, and eat until they are entirely surfeited.
Unless we dictate to our appetite other rules than those of nature, it will never be inordinate. Always regulating, prescribing, adding, retrenching, we do everything with scales in hand. But the scales measure our own whims, and not our digestive organs.
To return to my illustrations; among country folk the larder and the orchard are always open, and nobody, young or old, knows what indigestion means.
Supposing that my method is indeed that of nature itself, and that I have made no mistakes in applying it, I have now conducted my pupil through the region of sensations to the boundaries of childish reason. The first step beyond should be that of a man. But before beginning this new career, let us for a moment cast our eyes over what we have just traversed. Every age and station in life has a perfection, a maturity, all its own. We often hear of a full-grown man; in contemplating a full-grown child we shall find more novelty, and perhaps no less pleasure.
The existence of finite beings is so barren and so limited that when we see only what is, it never stirs us to emotion. Real objects are adorned by the creations of fancy, and without this charm yield us but a barren satisfaction, tending no farther than to the organ that perceives them, and the heart is left cold. The earth, clad in the glories of autumn, displays a wealth which the wondering eye enjoys, but which arouses no feeling within us; it springs less from sentiment than from reflection. In spring the landscape is still almost bare; the forests yield no shade; the verdure is only beginning to bud; and yet the heart is deeply moved at the sight. We feel within us a new life, when we see nature thus revive; delightful images surround us; the companions of pleasure, gentle tears, ever ready to spring at the touch of tender feelings, brim our eyes. But upon the panorama of the vintage season, animated and pleasant though it be, we have no tears to bestow. Why is there this difference? It is because imagination joins to the sight of spring-time that of following seasons. To the tender buds the eye adds the flowers, the fruit, the shade, sometimes also the mysteries that may lie hid in them. Into a single point of time our fancy gathers all the year's seasons yet to be, and sees things less as they really will be than as it would choose to have them. In autumn, on the contrary, there is nothing but bare reality. If we think of spring then, the thought of winter checks us, and beneath snow and hoar-frost the chilled imagination dies.
The charm we feel in looking upon a lovely childhood rather than upon the perfection of mature age, arises from the same source. If the sight of a man in his prime gives us like pleasure, it is when the memory of what he has done leads us to review his past life and bring up his younger days. If we think of him as he is, or as he will be in old age, the idea of declining nature destroys all our pleasure. There can be none in seeing a man rapidly drawing near the grave; the image of death is a blight upon everything.
But when I imagine a child of ten or twelve, sound, vigorous, well developed for his age, it gives me pleasure, whether on account of the present or of the future. I see him impetuous, sprightly, animated, free from anxiety or corroding care, living wholly in his own present, and enjoying a life full to overflowing. I foresee what he will be in later years, using the senses, the intellect, the bodily vigor, every day unfolding within him. When I think of him as a child, he delights me; when I think of him as a man, he delights me still more. His glowing pulses seem to warm my own; I feel his life within myself, and his sprightliness renews my youth. His form, his bearing, his countenance, manifest self-confidence and happiness. Health glows in his face; his firm step is a sign of bodily vigor. His complexion, still delicate, but not insipid, has in it no effeminate softness, for air and sun have already given him the honorable stamp of his sex. His still rounded muscles are beginning to show signs of growing expressiveness. His eyes, not yet lighted with the fire of feeling, have all their natural serenity. Years of sorrow have never made them dim, nor have his cheeks been furrowed by unceasing tears. His quick but decided movements show the sprightliness of his age, and his sturdy independence; they bear testimony to the abundant physical exercise he has enjoyed. His bearing is frank and open, but not insolent or vain. His face, never glued to his books, is never downcast; you need not tell him to raise his head, for neither fear nor shame has ever made it droop.
Make room for him among you, and examine him, gentlemen. Question him with all confidence, without fear of his troubling you with idle chatter or impertinent queries. Do not be afraid of his taking up all your time, or making it impossible for you to get rid of him. You need not expect brilliant speeches that I have taught him, but only the frank and simple truth without preparation, ornament, or vanity. When he tells you what he has been thinking or doing, he will speak of the evil as freely as of the good, not in the least embarrassed by its effect upon those who hear him. He will use words in all the simplicity of their original meaning.
We like to prophesy good of children, and are always sorry when a stream of nonsense comes to disappoint hopes aroused by some chance repartee. My pupil seldom awakens such hopes, and will never cause such regrets: for he never utters an unnecessary word, or wastes breath in babble to which he knows nobody will listen. If his ideas have a limited range, they are nevertheless clear. If he knows nothing by heart, he knows a great deal from experience. If he does not read ordinary books so well as other children, he reads the book of nature far better. His mind is in his brain, and not at his tongue's end. He has less memory than judgment. He can speak only one language, but he understands what he says: and if he does not say it as well as another, he can do things far better than they can.
He does not know the meaning of custom or routine. What he did yesterday does not in any wise affect his actions of to-day. He never follows a rigid formula, or gives way in the least to authority or to example. Everything he does and says is after the natural fashion of his age. Expect of him, therefore, no formal speeches or studied manners, but always the faithful expression of his own ideas, and a conduct arising from his own inclinations.
You will find he has a few moral ideas in relation to his own concerns, but in regard to men in general, none at all. Of what use would these last be to him, since a child is not yet an active member of society? Speak to him of liberty, of property, even of things done by common consent, and he may understand you. He knows why his own things belong to him and those of another person do not, and beyond this he knows nothing. Speak to him of duty and obedience, and he will not know what you mean. Command him to do a thing, and he will not understand you. But tell him that if he will do you such and such a favor, you will do the same for him whenever you can, and he will readily oblige you; for he likes nothing better than to increase his power, and to lay you under obligations he knows to be inviolable. Perhaps, too, he enjoys being recognized as somebody and accounted worth something. But if this last be his motive, he has already left the path of nature, and you have not effectually closed the approaches to vanity.
If he needs help, he will ask it of the very first person he meets, be he monarch or man-servant; to him one man is as good as another.
By his manner of asking, you can see that he feels you do not owe him anything; he knows that what he asks is really a favor to him, which humanity will induce you to grant. His expressions are simple and laconic. His voice, his look, his gesture, are those of one equally accustomed to consent or to refusal. They show neither the cringing submission of a slave, nor the imperious tone of a master; but modest confidence in his fellow-creatures, and the noble and touching gentleness of one who is free, but sensitive and feeble, asking aid of another, also free, but powerful and kind. If you do what he asks, he does not thank you, but feels that he has laid himself under obligation. If you refuse, he will not complain or insist; he knows it would be of no use. He will not say, "I was refused," but "It was impossible." And, as has been already said, we do not often rebel against an acknowledged necessity.
Leave him at liberty and by himself, and without saying a word, watch what he does, and how he does it. Knowing perfectly well that he is free, he will do nothing from mere thoughtlessness, or just to show that he can do it; for is he not aware that he is always his own master? He is alert, nimble, and active; his movements have all the agility of his years; but you will not see one that has not some definite aim. No matter what he may wish to do, he will never undertake what he cannot do, for he has tested his own strength, and knows exactly what it is. The means he uses are always adapted to the end sought, and he rarely does anything without being assured he will succeed in it. His eye will be attentive and critical, and he will not ask foolish questions about everything he sees. Before making any inquiries he will tire himself trying to find a thing out for himself. If he meets with unexpected difficulties, he will be less disturbed by them than another child, and less frightened if there is danger. As nothing has been done to arouse his still dormant imagination, he sees things only as they are, estimates danger accurately, and is always self-possessed. He has so often had to give way to necessity that he no longer rebels against it. Having borne its yoke ever since he was born, he is accustomed to it, and is ready for whatever may come.
Work and play are alike to him; his plays are his occupations, and he sees no difference between the two. He throws himself into everything with charming earnestness and freedom, which shows the bent of his mind and the range of his knowledge. Who does not enjoy seeing a pretty child of this age, with his bright expression of serene content, and laughing, open countenance, playing at the most serious things, or deeply occupied with the most frivolous amusements? He has reached the maturity of childhood, has lived a child's life, not gaining perfection at the cost of his happiness, but developing the one by means of the other.
While acquiring all the reasoning power possible to his age, he has been as happy and as free as his nature allowed. If the fatal scythe is to cut down in him the flower of our hopes, we shall not be obliged to lament at the same time his life and his death. Our grief will not be embittered by the recollection of the sorrows we have made him feel. We shall be able to say, "At least, he enjoyed his childhood; we robbed him of nothing that nature gave him."
In regard to this early education, the chief difficulty is, that only far-seeing men can understand it, and that a child so carefully educated seems to an ordinary observer only a young scapegrace.
A tutor usually considers his own interests rather than those of his pupil. He devotes himself to proving that he loses no time and earns his salary. He teaches the child such accomplishments as can be readily exhibited when required, without regard to their usefulness or worthlessness, so long as they are showy. Without selecting or discerning, he charges the child's memory with a vast amount of rubbish. When the child is to be examined, the tutor makes him display his wares; and, after thus giving satisfaction, folds up his pack again, and goes his way.
My pupil is not so rich; he has no pack at all to display; he has nothing but himself. Now a child, like a man, cannot be seen all at once. What observer can at the first glance seize upon the child's peculiar traits? Such observers there are, but they are uncommon; and among a hundred thousand fathers you will not find one such.
[1] Puer, child; infans, one who does not speak.
[2] Reading these lines, we are reminded of the admirable works of Dickens, the celebrated English novelist, who so touchingly depicts the sufferings of children made unhappy by the inhumanity of teachers, or neglected as to their need of free air, of liberty, of affection: David Copperfield, Hard Times, Nicholas Nickleby, Dombey and Son, Oliver Twist, Little Dorrit, and the like.
[3] Here he means Xerxes, King of Persia, who had built an immense bridge of boats over the Hellespont to transport his army from Asia into Europe. A storm having destroyed this bridge, the all-powerful monarch, furious at the insubordination of the elements, ordered chains to be cast into the sea, and had the rebellious waves beaten with rods.
[4] The feeling of a republican, of the "citizen of Geneva," justly shocked by monarchial superstitions. Louis XIV. and Louis XV. had had, in fact, from the days of their first playthings, the degrading spectacle of a universal servility prostrated before their cradle. The sentiment here uttered was still uncommon and almost unknown when Rousseau wrote it. He did much toward creating it and making it popular.
[5] Civil bondage, as understood by Rousseau, consists in the laws and obligations of civilized life itself. He extols the state of nature as the ideal condition, the condition of perfect freedom, without seeing that, on the contrary, true liberty cannot exist without the protection of laws, while the state of nature is only the enslavement of the weak by the strong—the triumph of brute force.
[6] In this unconditional form the principle is inadmissible. Any one who has the rearing of children knows this. But the idea underlying the paradox ought to be recognized, for it is a just one. We ought not to command merely for the pleasure of commanding, but solely to interpret to the child the requirements of the case in hand. To command him for the sake of commanding is an abuse of power: it is a baseness which will end in disaster. On the other hand, we cannot leave it to circumstances to forbid what ought not to be done. Only, the command should be intelligible, reasonable, and unyielding. This is really what Rousseau means.
[7] This is not strictly true. The child early has the consciousness of right and wrong; and if it be true that neither chastisement nor reproof is to be abused, it is no less certain that conscience is early awake within him, and that it ought not to be neglected in a work so delicate as that of education: on condition, be it understood, that we act with simplicity, without pedantry, and that we employ example more than lectures. Rousseau says this admirably a few pages farther on.
[8] Nothing is more injudicious than such a question, especially when the child is in fault. In that case, if he thinks you know what he has done, he will see that you are laying a snare for him, and this opinion cannot fail to set him against you. If he thinks you do not know he will say to himself, "Why should I disclose my fault?" And thus the first temptation to falsehood is the result of your imprudent question.—[Note by J. J. ROUSSEAU.]
[9] He refers to Cato, surnamed of Utica, from the African city in which he ended his own life. When a child, he was often invited by his brother to the house of the all-powerful Sulla. The cruelties of the tyrant roused the boy to indignation, and it was necessary to watch him lest he should attempt to kill Sulla. It was in the latter's antechamber that the scene described by Plutarch occurred.
[10] While writing this I have reflected a hundred times that in an extended work it is impossible always to use the same words in the same sense. No language is rich enough to furnish terms and expressions to keep pace with the possible modifications of our ideas. The method which defines all the terms, and substitutes the definition for the term, is fine, but impracticable; for how shall we then avoid travelling in a circle? If definitions could be given without using words, they might be useful. Nevertheless, I am convinced that, poor as our language is, we can make ourselves understood, not by always attaching the same meaning to the same words, but by so using each word that its meaning shall be sufficiently determined by the ideas nearly related to it, and so that each sentence in which a word is used shall serve to define the word. Sometimes I say that children are incapable of reasoning, and sometimes I make them reason extremely well; I think that my ideas do not contradict each other, though I cannot escape the inconvenient contradictions of my mode of expression.