2000 ---------------------------------------- GDhour 51 (August 21, 1989) Maggie's Farm > (10/3/87 Shoreline) Cumberland Blues Dire Wolf Workingman's Dead I Know You Rider (6/5/70 Fillmore West) Silver Threads Friend of the Devil Me and My Uncle Black Peter Bird Song (8/24/72 Berkeley Community Theater) ----------------------------------------- GDhour 52 8/28/89 Happy Birthday Bobby -> 10/16/74 Winterland U.S. Blues 10/16/74 Jam 7/23/73 Watkins Glen The Other One -> 10/12/68 Avalon Ballroom Cryptical Envelopement-> 10/12/68 New Potato Caboose -> 10/12/68 jam on 13 beats 10/12/68 ---------------------------------------------- Grateful Dead Hour No. 53 Week of September 18, 1989 Part 1 33:45 China Cat Sunflower-> I Know You Rider Playing in the Band-> Uncle John's Band-> Playing in the Band jam 8/19/89 Greek Theatre, U.C. Berkeley Part 2 19:39 Black-Throated Wind - Steal Your Face (Grateful Dead Merchandising GDCD4006, originally released 1976) Interview: Phil Lesh The Other One 8/19/89 ---------------------------------------------- Grateful Dead Hour No. 54 Week of September 25, 1989 Part 1 25:43 Scarlet Begonias Me and Bobby McGee It Must Have Been the Roses Big River 10/16/74 Winterland, San Francisco Part 2 31:26 Playing in the Band ---------------------------------------------- Grateful Dead Hour No. 55 Week of October 2, 1989 Part 1 30:40 Doin' That Rag Hard to Handle ...That's It for the Other One - 6/5/69 Carousel Ballroom, SF Part 2 21:12 /China Cat Sunflower-> Sittin' on Top of the World-> Dark Star... - 6/5/69 The Wheel - Jerry Garcia, Garcia (GDCD4003, originally released 1972) ------------------------------------------------ Grateful Dead Hour No. 56 Week of October 9, 1989 Part 1 15:22 Estimated Prophet 5/8/77 Cornell University, Ithaca NY King Solomon's Marbles Blues for Allah (GDCD4001, orig rel 1975) Part 2 37:47 St. Stephen-> 5/8/77 Cornell University, Ithaca NY Not Fade Away-> St. Stephen-> Morning Dew ------------------------------------------------ Grateful Dead Hour No. 57 Week of October 16, 1989 Part 1 18:28 Iko Iko 8/18/89 Greek Theatre, Berkeley CA Where in the Greek Are You? Looks Like Rain 8/18/89 Greek Theatre, Berkeley CA Part 2 36:10 Terrapin-> 8/18/89 Greek Theatre, Berkeley CA percussion jam-> Crazy Fingers Lovelight I Bid You Good Night Post-show interview with Phil Lesh ------------------------------------------------ Grateful Dead Hour No. 58 Week of October 23, 1989 Part 1 19:36 Rex Radio excerpt: Phil Lesh, Gary Lambert, Jerry Garcia - 1989 Ralph J. Gleason Memorial Award Libya Blues (excerpt) Peter Apfelbaum and the Hieroglyphics Ensemble with Don Cherry Attics of My Life American Beauty (Warner Bros. 1893, 1970) Part 2 32:50 Disaster message Scarlet Begonias-> 7/13/84 Greek Theatre, Berkeley Touch of Grey-> Fire on the Mountain ----------------------------------------------- There was no GD Hour the week of October 30 Grateful Dead Hour No. 59 Week of November 6, 1989 Part 1 19:52 "Victim or the Crime" part 1 - Phil Lesh, Jerry Garcia and Bob Weir interviewed by Bonnie Simmons Victim or the Crime - Built to Last (Arista ARCD-8575, 1989) "Victim or the Crime" part 2 - Lesh, Garcia, Weir Built to Last - Built to Last Part 2 34:01 Playing in the Band-> 2/5/89 Henry J. Kaiser, Oakland percussion-> jam I Will Take You Home - Built to Last Bonnie Simmons: For one reason or another we seem to have gotten off on "Victim or the Crime" - Lesh: Gotten off on it? Simmons: Can you tell me your version of how "Victim or the Crime" came about? Garcia: Well, I think the first time Weir showed it to me was when we played with Joan Baez at an AIDS thing in the city, and he - I listened in amazement and said, "God, that's got pretty angular changes, doesn't it?" It's fascinating because it defies, almost, any effort to play freely through it. You can't do it. You have to know it, it's that simple. It has changes in it, and they're very strict, and they have lots of real dissonant moments. So the angularity of it was fascinating to me, the tonality was, because it's one of those things where you really have to stretch to figure out something appropriate to play to add to the tonal mood of the tune. The text of it - I don't believe I've ever actually listened to all the words to it. Ever. I have the gist of it; by now I probably could recite it if I really had to, but the text of it is more of the same in a way: it doesn't have a whole lot of light in it. It's very dense, and it's angst-ridden to boot. Weir: "Victim or the Crime" I wrote with Gerrit Graham. The chorus came to me one night, and I sat on it for a couple weeks, looking at it, and I was down visiting Gerrit - he lives in LA - and I showed it to him and he said, "Hey, listen, can I run off with this for a night? I'll be right back with it." He came back the next day, and he had two verses and a bridge fleshed out from that chorus, and we did a little bit of hammering on it - hardly any - and then I put music to it, and that happened, though the music was really pretty damn complicated, it happened real fast. It happened inside of two hours, I think. Then we started trying to soften up some of the stuff that we knew we were going to encounter resistance with, like the J-word. We tried to come up with stuff like "Patience runs out on the monkey," or then we tried to take it all the way that direction - "Patience runs out on the bunny." But none of that worked. Then the whole rest of the song just wouldn't stand up, because it has an integrity about it that's - you know, you can't dick with it. Garcia: It seemed to me when we were starting to record it, in order to save it from an effort to make it more attractive, I thought that what would work with the song would be to just go with it, to go with the angularity and the sort of asymmetrical way it's structured, and play to expose that. An early possibility that occurred to me was that this would be an interesting song to do something really strange with. And this is where Mickey, of course, comes into the picture, 'cause he's one of the guys that holds down the strangeness corner, and he's always a willing accomplice in these ideas. So I thought the Beam, which is an instrument that people feel about about the way they feel about "Victim or the Crime," the tune - I thought, let's take two of the things that really have a huge potential for really upsetting people - Simmons: A polarization tool - Garcia: Absolutely! - and let's combine them in a happy marriage. Something that will be a real horror show. And it's turned out to be strangely beautiful. I really enjoy it, now. Garcia: When me and Mickey started working on the ending, I was sitting there listening and I said, "You know, I may be going crazy, but I'm starting to like this..." Simmons: I am too. (laughs) Initially I thought it was one of the oddest things I could ever imagine. Garcia: Well, it certainly is strange. It's one of Weir's stunningly odd compositions, but it's also very adventurous. It's uncompromising; it's what it is, and the challenge of coming up with stuff to play that sounds intelligent in the context has been incredible, but also appropriately gnarly. I think we've done a nice job on the record with it. It works. Whatever it is, it works! I'm real happy with it because it was one of those things that was like "What are we going to do with this?" It's like having a monster brother that you lock in the attic. It's like a relative that you - "God, I hope nobody comes over when he's eating"... Simmons: I think you put it in a perfect place. Garcia: It's something like that... That's one of the things that makes the Grateful Dead fun. Phil Lesh: I didn't particularly care for the song for the attitude of the song when I first heard it, and I was kind of wi 2000 shing that Bob had written something new, frankly, for the album. But I have to admit it's grown on me. It's grown on me, and I've found things to play in it, whereas first it was a just question of going boom-boom-boom-boom. I'm beginning to hear the music in it now. So I don't really dislike the song. I don't quite understand why Bob feels he has to sing this song - but I'll defend to the death his right to sing it. And to have us play it, too. If he can make it stick. Bob Weir: There is a ponderosity about it that a lot of people consider pompous, and perhaps it is pompous. There's that part of all of us. The questions posed in this song are not unique to this boy. If being pompous is what it takes to actually express this sort of thing - and you know, it's something I feel and it's something that I kind of want to take a peek at. It's, as far as I can see, human nature, and I don't think I'm doing anything intensely meaningful here, but I'm at least trying to get to something that's maybe a little knottier than Sugar Magnolia. Garcia: We've got a handle on it, I think, now, and there's also places for us to take it. So I think it may open up into something truly monstrous. It may turn into something truly monstrous in the future, and certainly the recorded version works. ------------------------------------------------- Grateful Dead Hour No. 60 Week of November 13, 1989 Featuring an interview with Tom Constanten, keyboardist with the Grateful Dead from 1968 to early 1970. Part 1 21:48 Tom Constanten part 1 Cold Rain and Snow - Tom Constanten, Fresh Tracks in Real Time Dark Star (excerpt) 4/28/71 Fillmore East Tom Constanten part 2 Part 2 30:19 Turn On Your Lovelight 12/12/69 Thelma Theatre, Los Angeles CA ----------------------------------------------------- Grateful Dead Hour No. 61 Week of November 20, 1989 Part 1 33:36 Funiculi Funicula Help on the Way-> Slipknot!-> Franklin's Tower - 6/9/77 Winterland, San Francisco Part 2 18:37 How Built to Last Was Made pt. 1 Standing on the Moon - Built to Last (Arista 8575, 1989) How Built to Last Was Made pt. 2 Blow Away - Built to Last --------------------------------------- Grateful Dead Hour No. 62 Week of November 27, 1989 Part 1 25:27 Truckin' I Second That Emotion Sugar Magnolia - 4/29/71 Fillmore East Loser - Garcia (GDCD4003, orig. rel. 1972) Part 2 29:15 Alligator-> Goin' Down the Road Feelin' Bad-> Cold Rain and Snow - 4/29/71 ---------------------------------------------------- Grateful Dead Hour #63 Week of December 4, 1989 Grateful Dead with HORNS! Part 1 34:55 Let Me Sing Your Blues Away Prelude; Weather Report Suite Part 1; Let It Grow-> Stella Blue 9/14/73 Civic Center, Providence RI Part 2 20:34 Eyes of the World Grateful Dead, Wake of the Flood Sugar Magnolia One More Saturday Night 9/14/73 GD with Horns from Providence 9/14/73 (the tape says 9/14, DeadBase says 9/15). The entire second set had horns, just about - DeadBase is in error about that. The mix and performance on Eyes wasn't too hot on this tape, so I went for the very hot W.Rep into Stella Blue. And the horn charts on Sugar Magnolia are spectacular! ------------------------------------- Grateful Dead Hour No. 64 Week of December 11, 1989 Part 1 27:20 Jack Straw Row Jimmy When I Paint My Masterpiece Dupree's Diamond Blues 11/7/87 HJK , Oakland CA Part 2 25:46 Interview: John Barlow and Brent Mydland We Can Run Built to Last "We want Phil!" Box of Rain Cassidy; Might as Well 11/7/87 HJK , Oakland CA ------------------------------------- Grateful Dead Hour No. 65 Week of December 18, 1989 Part 1 32:18 Shakedown Street-> Uncle John's Band - 12/26/79 Oakland Auditorium Oh Mommy Brewer & Shipley, Tarkio Road Jerry Garcia, pedal steel Transverse City Warren Zevon, Transverse City Jerry Garcia, electric guitar Last Lonely Eagle New Riders, Garcia, pedal steel; Hart, drums Danger Man David Bromberg,Wanted Dead or Alive Jerry Garcia, electric guitar; Phil Lesh, bass; Bill Kreutzmann, drums; Keith Godchaux, piano Part 2 22:35 You Win Again Bottle Let Me Down Why Don't You Love Me? *Riot in Cell Block #9 **Goin' Down Elvis Costello & Friends 4/24/89 Sweetwater, Mill Valley * Commander Cody, lead vocal ** Sammy Hagar, lead vocal ----------------------------------------- Grateful Dead Hour #66 12/25/89 Part 1 Tennessee Jed* 10/19/71 Northrop Aud. Minneapolis, Minn. Jack Straw* Truckin' Miss Half Step From Steal Your Face) Part 2 Other One-> 10/19/71 Northrop Auditorium Minneapolis, Minn. Drums-> Other One * First Live ----------------------------------------- Grateful Dead Hour #67 1/1/90 Part 1 Bird Song 12/31/87 Oakland Coliseum Music Never Stopped Part 2 Other One-> 12/31/87 Oakland Coliseum Wharf Rat-> Throwing Stones-> Not Fade Away ----------------------------------- Grateful Dead Hour #68 1/8/90 Part 1 Terrapin->Drums 12-31-87 Oakland Garcia Interview: "Built To Last" Cover Picture Built To Last - Album Version Part 2 Day Job 12-26-82 Oakland Garcia Interview: Scuba Diving, recording, playing..... Yellow Moon Robert Hunter Loser 8-19-89 Greek Theatre They Love Each Other 2-22-74 Winterland ----------------------------------------- GDH #69 1-15-90 Part 1 Sampson & Delilah 5-19-77 Fox, Atlanta I Wonna Fly Away Bobby and the Midnights Part 2 Satisfaction 2-17-82 Warfield, SF Dark Star -> Heaven Help Jam-> * Stella Ble 10-30-73 Kiel Aud, St Louis * Gans says "Heaven Help Jam" between, Deadbase III does not (although DB III does show it for other dates in '73) ---------------------------------------------------------------- Grateful Dead Hour No. 70 Week of January 22, 1990 Part 1 26:27 Sugar Magnolia-> Touch of Grey-> Man Smart, Woman Smarter - 12/31/89 Oakland Coliseum Arena Big Boss Man - 12/31/89 Oakland Coliseum Arena with Bonnie Raitt, slide guitar Part 2 30:11 Interview: Mickey Hart, Tom Vennum, and Joe Gastwirt talk about the Smithsonian/Folkways Archive project Featuring Latvian Choir, Voices in the Forest, and Midnight Special by Leadbelly Shakedown Street - 12/31/89 Oakland Coliseum Arena ---------------------------------------------------------------- Grateful Dead Hour No. 71 Week of January 29, 1990 Part 1 31:50 Wharf Rat-> Mississippi Halfstep-> Playing in the Band-> space - 12/2/73 Boston Music Hall Part 2 23:14 feedback-> "Heaven" jam-> He's Gone - 12/2/73 Boston Music Hall ---------------------------------------------------------------- Grateful Dead Hour No. 72 Week of February 5, 1990 Part 1 35:07 Opening Dark Star-> 2/18/71 Capitol Theatre, Portchester NY Me and My Uncle ...Hey Jude-> Goin' Down the Road Feelin' Bad-> Throwing Stones Not Fade Away Part 2 19:05 Just a Little Light Built to Last Brokedown Palace-> 12/31/89 Oakland Coliseum Arena Sunshine Daydream Midnight Hour ---------------------------------------------------------------- Grateful Dead Hour No. 73 Week of February 12, 1990 Part 1 16:19 Dark Hollow (Bear's Choice) (Warner Bros. 2721, 1973) Interview: Alan Mande part 1 Intro by Zacherle Casey Jones 2/14/70 Fillmore East Mama Tried Part 2 37:12 Interview: Alan Mande part 2 Not Fade Away-> 2/14/70 Fillmore East Mason's Children-> Caution (Do Not Stop on Tracks) ---------------------------------------------------------------- Grateful Dead Hour No. 74 Week of February 19, 1990 Part 1 28:39 Opening Sugaree 6/8/77 Winterland, San Francisco Mexicali Blues 6/8/77 Winterland, San Francisco Passenger 6/8/77 Winterland, San Francisco Sunrise 6/8/77 Winterland, San Francisco Part 2 25:57 It's All Over Now 6/8/77 Winterland, San Francisco Jackaroe 6/8/77 Winterland, San Francisco Lazy Lightning-> 6/8/77 Winterland, San Francisco Supplication 6/8/77 Winterland, San Francisco ----------------------------------------------------- 2000 ------- Grateful Dead Hour No. 75 Week of February 26, 1990 Part 1 24:55 Let It Grow 7/17/88 Greek Theatre, Berkeley CA Box of Rain; 7/17/88 Greek Theatre, Berkeley CA Victim or the Crime id by Brent Mydland Part 2 30:04 jam-> 7/17/88 Greek Theatre, Berkeley CA Goin' Down the Road Feelin' Bad-> All along the Watchtower-> Believe It or Not Blackbird-> Dead 7/17/88 Greek Theatre, Berkeley CA Brokedown Palace ---------------------------------------------------------------- Grateful Dead Hour No. 76 Week of March 5, 1990 Part 1 27:53 Greatest Story Ever Told 7/12/87 Giants Stadium, E. Rutherford NJ Tons of Steel 7/12/87 Giants Stadium, E. Rutherford NJ "Step Back" rap; Ramble On Rose 7/12/87 Giants Stadium, E. Rutherford NJ Promised Land-> 7/12/87 Giants Stadium, E. Rutherford NJ Bertha Part 2 24:38 Morning Dew; 7/12/87 Giants Stadium, E. Rutherford NJ Playing in the Band-> percussion ---------------------------------------------------------------- Grateful Dead Hour No. 77 Week of March 12, 1990 Part 1 15:22 California Earthquake 10/20/89 Spectrum, Philadelphia Cassidy Reckoning (Arista A2CD-8523, 1981) Loser Carnahan and Robin Petrie, No Regrets (DNA 70101, 1990) Part 2 36:17 Eyes of the World-> Dead 6/8/77 Winterland, San Francisco drums-> The Other One For more information on Carnahan & Petrie, write to DNA Records 725 Pomona Avenue Albany CA 94706 (415) 525-4773 ---------------------------------------------------------------- Grateful Dead Hour No. 78 Week of March 19, 1990 Part 1 20:02 If Six Was Nine Cheezlog with Bob Weir, guitar and vocal Friend of the Devil , American Beauty That Train Hunter, Tales of the Great Rum Runners Part 2 34:23 Not Fade Away-> 6/8/77 Winterland, SF Goin' Down the Road Feelin' Bad-> Johnny B. Goode Brokedown Palace 6/8/77 Winterland, SF --------------------------------------------------------------- Grateful Dead Hour No. 79 Week of March 26, 1990 Part 1 17:14 :51 Phil Lesh: Message to Deadheads Ain't That Peculiar Bobby & the Midnites, Where the Beat Meets the Street Passenger 12/27/81 Oakland Auditorium Samson & Delilah 12/27/81 Oakland Auditorium Part 2 36:23 To Lay Me Down; 12/27/81 Oakland Auditorium Playing in the Band The Wheel-> 12/27/81 Oakland Auditorium Playing in the Band ---------------------------------------------------------------- Grateful Dead Hour No. 80 Week of April 2, 1990 Part 1 17:33 Black Throated Wind 5/19/74 Coliseum, Portland OR Scarlet Begonias 5/19/74 Loose Lucy 5/19/74 Part 2 35:35 Big River Johnny Cash, The Sun Years (Sun/Rhino R2 70950, 1990. Orig released 12/57) Scarlet Begonias-> 10/16/77 LSU Assembly Center, Baton Rouge Fire on the Mountain-> Scarlet Begonias; Estimated Prophet ---------------------------------------------------------------- Grateful Dead Hour Program no. 81 Week of April 9, 1990 Part 1 26:28 She's On the Road Again-> 10/9/82 Frost Amphitheatre, Palo Alto CA Beat It On Down the Line West LA Fadeaway 10/9/82 Me and My Uncle-> 10/9/82 Big River Part 2 29:30 The Music Never Stopped-> 10/9/82 Frost Amphitheatre, Palo Alto CA Deal Throwing Stones-> 10/9/82 Touch of Grey ---------------------------------------------------------------- Grateful Dead Hour Program no. 82 Week of April 16, 1990 Part 1 14:03 Wang Dang Doodle 9/29/89 Shoreline Amphitheatre, Mtn View CA Picasso Moon Built to Last (Arista ARCD-8575, 1989) Part 2 40:38 Promised Land 10/10/76 Oakland Stadium Friend of the Devil 10/10/76 Dancin' in the Streets-> 10/10/76 Wharf Rat-> Dancin' in the Streets Note: The tape has an edit in the last verse of "Wharf Rat" (at 21:37) due to a reel change on the master. ---------------------------------------------------------------- Grateful Dead Hour Program no. 83 Week of April 23, 1990 Part 1 23:30 Feel Like a Stranger-> 9/29/89 Shoreline, Mountain View CA Franklin's Tower We Can Run 9/29/89 Part 2 29:28 jam-> 9/29/89 Shoreline Amphitheatre, Mountain View CA I Need a Miracle-> Death Don't Have No Mercy-> Sugar Magnolia The Dead's first performance of "Death Don't Have No Mercy" since 1970! ---------------------------------------------------------------- Grateful Dead Hour No. 84 Week of April 30, 1990 Part 1 15:21 Loose Lucy 3/19/73 Nassau Coliseum, Uniondale NY Me and My Uncle 3/19/73 Brown-Eyed Women 3/19/73 Part 2 36:10 Mama Tried Merle Haggard, More of the Best of Merle Haggard (Rhino R2 70917, 1990; originally released 7/68) Victim or the Crime-> 12/31/89 Oakland Coliseum Arena Dark Star-> percussion ---------------------------------------------------------------- vocals; Bill Kreutzmann, drums; Keith Godchaux, piano; Donna Godchaux, vocals. Notes: The second half of this week's program comes from a concert dubbed "The Sound Test," where the Dead introduced the "Wall of Sound" PA system with which they toured throughout 1974. In a column titled "Quiet! The Dead is playing," San Francisco Chronicle critic John L. Wasserman described it as "clear without being loud, loud without being distorted and as clean as a wax job everywhere in the huge arena. Every note played by each instrument was detectable and definable." Bassist Lesh hit a note in the instrumental bridge of "China Cat Sunflower" that rattled the entire Cow Palace. I felt it all the way across the room, where my friends and I stood awestruck by the Dead's phenomenally clear and articulate new sound system. At the start of "Deal" Bob Weir says, "You can sure tell the ones who won their tickets over the radio," in response to a fan climbing on stage to shake Jerry Garcia's hand. This "Cassidy" was the first live performance of the song and the only one using the arrangement from Bob Weir's 1972 solo album Ace. After this show the song wasn't heard again until the band returned from hiatus in 1976; they played it in the first set of their first "comeback" show (Portland 6/3/76) and it's been a mainstay of the live repertoire ever since. "China Cat Sunflower" and the jam into "I Know You Rider," always a powerful pairing for the Dead, took on some extra juice in '74 with the addition of a chord progression some listeners thought reminiscent of "Uncle John's Band." This performance is a fine example of this wonderful set piece. - D.G. ---------------------------------------------------------------- GDHour #86 5/20/90 Interviews throughout from WHCN, Hartford, CT Hell in a Bucket 3/19/90 Hartford Civic Center, CT Brown-Eyed Woman 3/19/90 Picasso Moon 3/19/90 "Easy Wind" Workingman's Dead All Over Now 3/19/90 Deal 3/19/90 ---------------------------------------------------------------- Grateful Dead Hour Program no. 87 Week of May 21, 1990 Part 1 25:21 Box of Rain; 3/19/90 Hartford Civic Center Foolish Heart Interview: Mickey Hart Part 2 27:20 jam-> 3/19/90 Hartford Civic Center China Doll-> Gimme Some Lovin'-> Goin' Down the Road Feelin' Bad-> Around and Around ---------------------------------------------------------------- Grateful Dead Hour Program no. 88 Week of May 28, 1990 Part 1 29:33 Hey Pocky Way; 2/17/88 HJK, Oakland CA Desolation Row Terrapin 2/14/88 HJK, Oakland CA Part 2 23:25 Stella Blue-> 2/14/88 HJK, Oakland CA Throwing Stones-> Lovelight ---------------------------------------------------------------- Grateful Dead Hour Program no. 89 Week of June 4, 1990 Part 1 28:08 Doin' That Rag-> 6/5/69 Fillmore West He Was a Friend of Mine Supplication Kingfish,(Grateful Dead GDCD40102; orig. rel. on Round in 1976) Asia Minor Russian Lullaby Jerry Garcia, Compliments (Grateful Dead GDCD40092) Part 2 24:45 The Green, Green Grass of Home 6/6/69 Fillmore West Dire Wolf 6/7/69 Fillmore West Dupree's Diamond Blues 6/7/69 Mountains of the Moon 6/7/69 Catfish John Jerry Garcia, Reflections (Grateful Dead GDCD40082; ---------------------------------------------------------------- Grateful 186e Dead Hour no. 90 Week of June 11, 1990 Part 1 10:37 Johnny B. Goode Winterland, San Francisco 12/29/77 Mission in the Rain Jerry Garcia, Reflections (Grateful Dead GDCD40082, Part 2 40:00 China Cat Sunflower-> 12/29/77 Winterland, San Francisco I Know You Rider-> China Doll-> percussion-> Not Fade Away-> Playing in the Band ------------------------------------ Grateful Dead Hour no. 91 Week of June 18, 1990 Part 1 29:06 Victim or the Crime 12/6/89 Oakland Coliseum Arena Interview: Pete Sears part 1 Nothing Personal Pete Sears, Watchfire (Redwood RRCD 8806, 1988) Interview: Pete Sears part 2 Wild Bill Robert Hunter, Tiger Rose (Rykodisc RCD 10115; Interview: Pete Sears part 3 Let the Dove Fly Free Pete Sears, Watchfire Interview: Pete Sears part 4 Part 2 25:31 Interview: Pete Sears part 5 jam-> 10/2/88 Shoreline Amphitheater, Mountain View CA Estimated Prophet-> Eyes of the World ----------------------------------------------- Grateful Dead Hour no. 92 Week of June 25, 1990 Part 1 26:12 Bertha 6/10/90 Cal Expo, Sacramento CA Jack Straw Announcements (Phil Lesh is NOT leaving the band!) 6/10/90 Dire Wolf 6/10/90 Interview: Phil Lesh Box of Rain 6/10/90 Part 2 31:54 The Other One-> Cumberland County Civic Center, Portland ME 9/17/82 Goin' Down the Road Feelin' Bad-> Morning Dew-> Sugar Magnolia Personnel: Jerry Garcia and Bob Weir, guitar and vocals; Phil Lesh, bass and vocals; Bill Kreutzmann and Mickey Hart, drums and percussion; Brent Mydland, keyboards and vocals. --------------------------------------------- Grateful Dead Hour no. 93 Week of July 2, 1990 Part 1 9:24 US Blues 9/17/82 Cumberland County Civic Center, Portland, Maine Walk in the Sunshine Bob Weir, Ace (GDCD 4004, originally released 1972) Part 2 44:55 Uncle John's Band-> 6/8/90 Cal Expo, Sacramento China Cat Sunflower-> I Know You Rider Estimated Prophet-> Foolish Heart --------------------------------------------- Grateful Dead Hour no. 94 Week of July 9, 1990 Part 1 26:41 Dancin' in the Streets 2/27/70 Family Dog, San Francisco Interview: Alan Trist Part 2 26:56 Peggy-O Simon & Garfunkel, Wed. Morning, 3 AM Columbia CK 9049, 1964 Interview: Alan Trist Dire Wolf Workingman's Dead,Warner Bros. 1869-2, 1970 Interview: Alan Trist Jackaroe 12/28/88 Oakland Coliseum Arena Interview: Alan Trist Feel like a Stranger 6/9/90 Cal Expo, Sacramento (KPFA listeners will hear the 12/29/77 jam that was pre-empted by the Trist interview) --------------------------------------------- Grateful Dead Hour no. 95 Week of July 16, 1990 Part 1 27:23 Iko Iko 3/3/87 w/ Dirty Dozen Brass Band H.J. K Convention Center, Oakland CA It's All Over Now Dirty Dozen Brass Band, Voodoo (Columbia FC 45042, 1989) Saint of Circumstance 3/3/87 H.J. K Convention Center, Oakland CA When Push Comes to Shove In the Dark (Arista ARCD 8452, 1987) Part 2 27:11 Terrapin 3/3/87 H.J. K Convention Center, Oakland CA Throwing Stones-> Touch of Grey --------------------------------------------- Grateful Dead Hour no. 96 Week of July 23, 1990 Shakedown Street 4/30/88 Frost Amphitheatre, Stanford CA Man Smart, Woman Smarter Ship of Fools Part 2 23:37 Swing Low, Sweet Chariot Jerry Garcia Acoustic Band, Almost Acoustic GDCD 4005, 1988 Salt Lake City Bob Weir, Heaven Help the Fool Arista ARCD 8165, orig. released 1978 "The missing tape?" China Cat Sunflower-> 4/30/88 Frost Amphitheatre I Know You Rider-> One More Saturday Night --------------------------------------------- Grateful Dead Hour no. 97 Week of July 30, 1990 Part 1 30:14 Interview: Merl Saunders He Ain't Give You None Garcia-Saunders 10/31/74 Memorial Gym, U.S.F Interview: Merl Saunders Blues from the Rainforest Merl Saunders, Blues from the Rainforest Sumertone S2CD-01, 1990 Part 2 21:34 Interview: Merl Saunders Sunrise over Haleakala Merl Saunders, Blues from the Rainforest Interview: Merl Saunders Mystery Train - studio jam circa 1972 Merl Saunders (clavinet); Jerry Garcia (guitar, vocal); Vassar Clements (fiddle); David Grisman (mandolin); John Kahn (bass); Bill Kreutzmann (drums) --------------------------------------------- Grateful Dead Hour no. 99 Week of August 13, 1990 Tribute to Brent Mydland, part 1 Part 1 27:00 Opening Grateful Dead 10/3/87 Shoreline Amphitheatre, Mountain View CA Stella Blue Grateful Dead 6/8/90 Cal Expo, Sacramento Easy to Love You Interview: John Barlow Grateful Dead 6/26/88 Civic Arena, Pittsburgh PA Gentlemen, Start Your Engines ID Part 2 28:13 Introduction Interview: Brent Mydland/Jerry Garcia (Deadhead Hour 4/8/85) Grateful Dead 4/22/79 Spartan Stadium, San Jose Jack Straw Interview: Dan Healy Phone calls from listeners Silver, Silver (Arista 4076, 1976) Musician (It's Not an Easy Life) Phone calls Grateful Dead 3/18/90 Hartford Civic Center Just a Little Light Outro --------------------------------------- Grateful Dead Hour no. 100 Week of August 20, 1990 Tribute to Brent Mydland, part 2 Part 1 26:32 Blow Away 7/29/88 Laguna Seca Raceway, Monterey CA Excerpt from Deadhead Hour 4/8/85 Interview: Jerry Garcia/Brent Mydland Far From Me 10/10/82 Frost Amphitheatre Interview: Brent Mydland Good Time Blues 7/23/90 World Music Thtr, Tinley Park IL Part 2 24:52 Excerpt from Deadhead Hour 4/8/85: Jam 8/28/81 Long Beach Arena Interview: Brent Mydland Jam 9/10/83 Santa Fe Downs Don't Need Love 7/15/84 Greek Theatre, Berkeley Book of Rules Bobby and the Midnites Arista ARCD-8558, 1981 --------------------------------------- Grateful Dead Hour no. 101 Week of August 27, 1990 Tribute to Brent Mydland, part 3: the music Part 1 28:42 Iko Iko 3/18/90 Hartford Civic Center We Can Run 2/11/89 Forum, Inglewood CA Shakedown Street 4/17/82 Hartford Civic Center Part 2 26:25 post-Saint jam 4/17/82 Hartford Civic Center Bird Song 10/3/87 Shoreline Amphitheatre, Mountain View CA jam-> 10/21/88 Reunion Arena, Dallas TX I Will Take You Home ---------------------------------------------------------------- . 0