Printmaking has all of the excitement of gambling without its guilt and ruin. (Samuel Palmer) ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Ernest Hemingway's Hack (his words, not mine): The best way is always to stop when you are going good and when you know what will happen next. If you do that every day ... you will never be stuck. Always stop while you are going good and don't think about it or worry about it until you start to write the next day. That way your subconscious will work on it all the time. But if you think about it consciously or worry about it you will kill it and your brain will be tired before you start. I used a variant to this approach (before I had heard of Hemingway's connection to it) when I was studying printmaking (among a lot of other things) in college: I always had multiple images I was working on developing at any given time - so that even if I finished something, decided it was complete and ready to be editioned, I always had something else in-process to continue working on. If I did get stuck on working on one image there was always another one in-process to work on instead. I also always had something at least mid-way toward a finished state so it was never a rush to have something for a class critique - as often as not I had something finished and ready to print an edition. NO CARRIER